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Gridrunner Revolution Review (PC)

What's the one thing that will get you shunned? Gay, Straight, Black, White, Male, Female, Fat, Thin? No. You can be any of those and somewhere, there's a group that will accept you. The only crime that is truly considered a sin is being different. No one wants to be different. That's a lesson ingrained into you from childhood. Sometimes beaten into you. You can be a lot of things, but different isn't one of them. It's confusing at first, because we're lied to with claims of "celebrating our differences", "be yourself!", etc etc. You're allowed to be different as long as you're the same as those around you.


It's confusing and frustrating. Each and every one of us is different from the other. The uniqueness of our existence is burned into our genes. But as soon as we gather, we begin to mark our similarities. No matter how much a group preaches acceptance, they all preach conformity even louder. Dress like us. Listen to the same music as we do. Play the same games. Drive the same car. Use the same drugs. Follow the same teams. Whenever a group starts, the first thing they do is decide how to identify those that are different.
That part is human nature. What I hate is how people change so that they will be accepted. How they give up a part of themselves so that others will smile when they arrive. They quickly discard something they love because it would mark them as different. Oh, you'll tell yourself, "My friends are different, we all accept each other as we are," or "I'm completely honest about who I am." That's simply not true. You know that there is something you hold back. Something you keep secret. You lie to make sure you stay in the group's good graces. It might be something small, like declaring that you hate Pepsi, all the while having a six pack waiting for you in the fridge. Maybe its something bigger, like when you join on in the gay jokes your buddies toss out during sessions of Halo. There's always something.


The fear of being different follows us into every aspect of our lives; from our acquaintances, to the cars we drive, to even the games we play. Vehicles from the major car manufacturers are nearly indistinguishable from one another. Now that computers have the power to display millions of colors and create untold abstract worlds, we push to see how closely they can mimic reality. When someone or something breaks the mold and ventures out of the norm, its a crap shoot whether praise or ridicule will follow. Too often we're too afraid to even attempt something that's not the same as what has come before.


More often than not, I find myself longing for the simplicity of acceptance. There's something enticing about conforming, even it it costs you a piece of yourself. But even a small piece is too high a price. Maybe thats why I like Gridrunner Revolution as much as I do. It doesn't make any concessions for the sake of conformity. It's not a perfect game. In fact, it revels in what other games would call flaws. Its pace starts out so slow that you wonder if it's supposed to be a game at all or just a rainbow-tinged light show. While other games painstakingly render the player in minute detail, here, your character is crudely drawn with such large pixels that you may think your screen resolution is set to double digits. The sound effects are so mismatched that the only similarity they share is that they are all equally out of place. Its lack of a network leader board is baffling for a game that puts so much emphasis on points. Everything about it says, "I'm different!" Screams it. It's unabashed in its lack of similarity to everything else
I wish I could be as uncompromisingly confident in my differences as Gridrunner Revolution is. I wish we all could.
Score 8/10

  • Published in PC

Demons Age Announced by Bigmoon Entertainment

Bigmoon Entertainment is bringing Demons Age to the Playstation 4, Xbox One, and PC in 2016.  Demons Age is a turn-based, fantasy, role playing game developed by the people who brought you Trapped Dead: Lockdown and Space Empires V: Battle for Artemis.

In Demons Age you will set up your character and be able to hire a cast of diverse characters to help you in your adventure. You can play a single character or in party mode.  Level up by following the main story, solving puzzles, and performing side quests.  Watching the video you can see that it has that classic dungeon crawler feel that makes me reminisce about my days playing D&D.  So if you want to don’t want to roll your dice for your Listen check find out more info at http://www.demonsage.com

Demons Age Screenshot

  • Published in News

Review - Abyss Odyssey [PC]

“To sleep, perchance to dream,” in Abyss Odyssey therein is the rub. Out now for the PlayStation 3, Xbox 360 and PC Abyss Odyssey presents a very interesting story wrapped in a brawler, a platformer, and a rouge-like game.

Drop into the darkness.
The story is set in the 17th century Chilean capitol of Santiago. Evil creatures are coming up through a hole in the center of town and threatening to overtake the city. You start out as Katrien, a swordswoman who specializes in short swords. As she arrives at the edge of the mysterious hole, the soldiers guarding it tell her to leave, that this is no place for a lady. She tells them they have no idea what they are facing. That they are fighting creatures that are the result of a Warlock sleeping at the bottom of the abyss. Those creatures are being created from the nightmare he is having. With those bold declarations, she drops into the abyss to begin her journey to the bottom in order to confront the Warlock.

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Along the way you will die. Several times in fact. Such is the nature of Abyss Odyssey. The first time Katrien dies she reveals that she too is a part of the Warlock’s nightmare, that she died a long time ago. The dying part isn't as bad as it first seems. When Katrien falls she is replaced by a soldier who promises to revive her at a shrine, provided he makes it. The soldier is less powerful, but not entirely helpless. If he does fall in battle, then you are revived on the surface and have to fight your way through again. There are no save points in the game, but you can have temporary checkpoints. At special shrines you can change it into a checkpoint, provided you have the key for it. A note of caution, these checkpoints have a limited number of times you can be revived. Once used up you start at the surface again. This is not necessarily a bad thing either. As Katrien observes, the abyss, like a dream or nightmare, is never the same. Which means that every time you enter the abyss it is randomly generated, making it something new and different every time. It is a nice touch that provides for a lot of replayability.

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While you start out as Katrien you won't play as her all the time. Besides the soldier you will be able to eventually unlock two other characters, the Ghost Monk and Pincoya. Both, like Katrien, have their basic attacks, but also special attacks and weapons. If that's not enough variety of characters for you, there's a way to acquire more. You can capture souls of enemies you defeat. Once captured, you can turn into them and use their powers and abilities.
Choose your weapon wisely.

The characters have some role playing game characteristics in that you can level them up and tailor their fighting styles. You may be slow and sluggish at the start, but carefully choosing how to level up your characters will result in a lean mean demon killing machine. Weapons can be found in the abyss or bought from merchants. A small problem for me was that you couldn’t sell your old weapon. This necessitates spending your money cautiously and wisely. Found weapons can only be picked up if they match your current character's weapon style. So if you are playing as Katrien, you can't pick up pole arms, only small swords.

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Pretty as a picture.
Graphically Abyss Odyssey is stunning. It looks like someone crossed a storybook with art nouveau prints; it's colorful and beautiful. One of the touches I really liked was when you use the block move to stop a hit, a halo appears around them. The halo's design takes on the look that's almost a trademark of art nouveau prints. This art style is present in everything, from the backgrounds to all the enemies. I would love to see an art book created from this game.

Final word.
Abyss Odyssey is a downright stunning game. The art, music, story, and gameplay come together in a beautiful arrangement. Even when you finally get to the end and finish the story the randomly generated abyss makes the game different every time. On top of that the developers, ACE, have stated that at current count there are about 37 enemies are to be captured and used. ACE has hinted at more enemies and bosses to be added to the game in the future. The game also really challenges you with that rougelike system. Can you make it to the end with no saves and limited checkpoints? It's a game that I really think is a contender for my top 10 of the year. I like it that much. If this sounds like your cup of tea, pick it up now.

  • Published in PC

DerrickH Unboxes the ASUS GL551J Laptop

ASUS sent AllGames a Republic of Gamers G Series GL551J Gaming Laptop to review. And the first step in all reviews is of course, opening the box. Take a look. 

  • Published in PC

Rise of the Triad Review

 

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I didn't get really into gaming until the early 2000s, so I missed a lot of the classic stuff that some people remember about the early days of gaming, including Apogee. They eventually turned into 3D Realms, but they put out some stuff before then that people really liked like Wolfenstein 3D, the Blake Stone games, and Rise of the Triad: Dark War. ROTT was a prime example (at least from what I've heard) of the old school style of shooters, with crazy enemies, weapons, and power ups. Also you could turn into a dog. So it would make sense that someone would want to reboot a franchise like this. It's unfortunate that they had to reboot like this, because it's not very good. 

In the new Rise of the Triad, you once again slip into the leather boots of H.U.N.T., the High-risk United Task-force, consisting of Taradino Cassatt, Thi Barrett, Lorelei Ni, Doug Wendt, and Ian Paul Freeley. They are sent to San Nicolas Island off the south coast of Calfornia, which has been taken over by a terrorist group/cult called The Triad. Once there, the team gets discovered and their boat is destroyed, meaning the only way off the island is to fight your way through the Triad. And beyond that I honestly couldn't tell you anything more. The only story bit I saw was at the very beginning of the game. It was told in a motion comic style cutscene, complete with pretty decent artwork and absolutely terrible voice acting. You'd think that last bit would be a negative, but it got me really excited to play the game. While some of the characters' voice-work was just the bad kind of bad, most of the main five have the kind of bad voice acting that just makes laugh and feel good about things.

Then we get to the actual game part of the game. You can play as any of the five characters listed above and each come with their own stats, like endurance or speed, meaning some guys are tougher while other guys are faster. But honestly I couldn't tell you the in-game difference between any one of them. All of them seem to take the same damage, which is really inconsistent depending on where you are, and they all move at one speed, which too fast to be playable. Every character moves at half the speed of sound and the mouse is so sensitive even at 50% that trying to look around while walking down a straight becomes a huge ordeal that will probably end with you running into a wall repeatedly or being stuck on some piece of the world geometry. The movement speed is especially crappy for searching for and collecting coins and secrets, which the game scores you on. A lot of times they are on walkways or platforms that you have to jump to or use jump pads to reach. Since you're in first person the entire time, you can never see your feet to judge when you're above it. Add on to that that your movement in the air is just as fast as when you're on the ground, it becomes a game of trial and error trying to get these items. If you want to avoid these annoying platforming bits and forget about the collectibles, some levels force you to platform in order to finish a level. To top it all off, some of these sections result in instant death if you mess up even once, meaning you have to go back to the last checkpoint, which there are only two of in every level.

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But you don't come to a game like this for the platforming, you come for the guns and shooting which kind of work. You got your standard stuff with your pistols, machine gun, and rocket launcher, but then you have some of the cooler stuff. You've got the heat seeking missiles, which home in on enemies. You've got drunken missiles, which can be fired like a minigun or just flying off in random directions. You've got the heat wave, which shoots out a wall of fire that incinerates your enemies. And you've got Excalibat, a magical baseball with an eye in the center of it that kills enemies in one hit and fires energy balls. The weapons themselves are actually kinda weak and don't really have any kind of punch behind them, but they can make the game bearable for a brief few moments. But these weapons come with very limited ammo and once you run out, so long interesting weapon. You can pick up more of them and if you know where to look you can be rolling with these for a good chunk of the game. If you aren't looking carefully, though, you can miss these weapons and be stuck with your standard stuff. The pistols and machine gun are total jokes, with enemies soaking up bullets and barely even reacting to being shot by these guns over and over again. It makes you feel completely powerless and these weapons, along with all the other ones I mentioned, can be stolen very easily by the enemy leaving you with a solitary pistol until you can find something interesting again. The cool thing I will say about the pistols and machine gun is that both of them have infinite ammo but you can still reload them. So you can just stand there for twenty minutes reloading your dual-wielded pistols with an awesome animation. It won't affect anything and is entirely pointless, but it looks great.

The enemies will be shooting at you, too, so you'll need to know where their shots are coming from to find them. Good luck with that, because the damage indicator is a joke. It barely reacts when you're being shot, so you only get a notification when you're being shot every fourth or fifth time. It also doesn't dynamically move to show where the shots came from relative to the way you're looking. Combine that with the movement speed problem and you will have no idea where most shots are coming from unless you stand still and just wait while you're getting shot to find the enemies. Also, have fun finding the enemies. All of them dress in grey and brown, and since this is an Unreal Engine game, all of the environments are grey or brown, so enemies can very easily blend into the background while spinning around trying to find them. It gets especially fun in the poorly lit corners when the only way to see them is their muzzle flare. Plus, enemies can just randomly spawn in. Multiple times throughout the game I'd be walking along and all of a sudden an enemy just appears before my eyes.

Speaking of environments, they are quite bland in this game. Every level I played was interchangeable with every other level in a given area, just with a different layout. Because of this it can be difficult to figure out which way you're supposed to go. A few times while playing I got turned around and ended up running back to the start of the level before I realized I was going the wrong way. From what I've seen of later levels this gets better, but they still look incredibly boring. One of the later levels gets lava and it looks just awful.

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This game is also bugged up the butt. I already mentioned the enemies magically appearing in front of you and being caught in the world geometry, but that's just the tip of the iceburg. Many times while playing through the game, I was forced to reload my machine gun. The machine gun, need I remind you, has infinite ammo and no need to reload. But still, I would walk in to an area, running out of my rocket launcher or special rocket launcher ammunition, and switch back to my machine gun. I would click to fire, but instead I would reload, giving the enemy a chance to shoot me to death.

The cheats are bugged as well, because yeah there are cheats. Twice when I was in god mode, you know, the mode that makes you invincible, I was killed. And this wasn't an instance where god mode just randomly turned off (although that happened a couple of times, too). I was in the middle of a god mode massacre, when all of a sudden this big new enemy or boss would show up, fire off one shot, and kill me instantly. Even if I wasn't in god mode, I was at 100% health. Either those enemies have one-hit kills or I got screwed. On top of being buggy, the cheats just aren't really that great to begin with. Sure, god mode and no clip and stuff like that is fine, but all of the cool stuff brought over from the original game are just power ups, even with cheat codes. The god mode power up is way better than the god mode cheat, but that and dog mode and every other cool thing from the original game can only be used for a short amount of time before they run out. Then you'll have to jump back to the command console, which doesn't pause the game when you pull it up, enter in the code again and pick up the power up it spawns. That is, assuming it even summons the power up at all. I've had to enter codes four or five times to get the power up to appear.

Finally there's multiplayer. But I couldn't tell you anything about it. I waited in the lobby for 10 minutes while the game searched for servers. It never stopped searching.

Rise of the Triad is not a good game. It is a pretty bad one. While some of the weapons and power ups are kinda cool and it's nice to play this style of shooter again, the game is buggy and bland and too damn fast you to enjoy any of the nostalgia this kind of shooter will invoke. If you're a huge fan of the original, I can maybe see you getting some enjoyment out of this. But you have no love for the original and are just looking for a fun, old-timey shooter, DOOMSerious Sam, and Painkiller are all available on Steam. Get them. Don't even bother looking at this game. it's not worth your time.

  • Published in PC

Moebius: Empire Rising (PC)

If you are a gamer of a certain age then the name Jane Jensen will catch your interest. She is the writer behind many classic Sierra Online games and the creator of the Gabriel Knight adventure games. Recently she has taken to Kickstarter to back two games. The first of those two games has been released, Moebius: Empire Rising.

If you are a gamer of a certain age then the name Jane Jensen will catch your interestMoebius: Empire Rising is a point and click adventure that tells the tale of Malachi Rector, an antiques and art appraiser. He is very intelligent and sharp eyed in his chosen profession. He is also something of an aloof snob and an ass. He is hired by semi-secretive organization (F.I.T.A.), run by a man named Amble Dexter, to go to Venice to investigate a murdered woman and determine what historical figure her life most resembles. While there he is attacked by ninjas who then scan all of the information he has on the murdered woman. He reports back to Dexter that, while her life closely resembled Livia Drusilla, she did not match completely.

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Working for himself again Malachi is next in Cairo to appraise ancient artifacts from a mummy's tomb. While there he saves ex-special forces American, David Walker, from the same ninjas who attacked him in Venice. He decides to hire David as a bodyguard. In many ways David is a typical American, blonde haired, blue eyed, jock, who likes to tell bad jokes. (How many Special Forces soldiers does it take to change a light bulb? Sorry that's classified information.) When the ninjas attack a third time Malachi and David are able to stand their ground and fight them off. He finishes his business in Cairo and returns to New York.

Malachi believes the ninjas are part of something bigger and asks to meet with Amble Dexter. He is surprised when Dexter insists that Malachi bring David to the meeting. At the meeting Dexter reveals that F.I.T.A. believes in Roman philosopher, Paramedes’, theory that everyone is an "echo" of someone in the past. From there the story takes some strange twistsNot like reincarnation where a person was someone else but now living a new life, but that same person living the same life event for event in a new generation. Their overall goal is to make Senator Markam, whom they believe is the echo of Augustus Caesar and will bring hundreds of years of prosperity to America, the next United States President. Malachi agrees to help in their endeavor.

From there the story takes some strange twists from a detective adventure towards one of a more supernatural vein.

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The mechanics of Moebius: Empire Rising is pretty standard and sound for a point and click adventure. No major problems arose when I used the controls. It does have a quirky playing feature. In most point and click adventures you can pick up and carry almost anything. In Moebius: Empire Rising, you can’t just pick up whatever you want and carry it around. Certain items needed for a puzzle can’t be picked up until you hit the right “trigger point” that will allow you to pick up that item. This causes a lot of backtracking during game play. The oddest of which is when you try to get into a VIP tent to meet Senator Markam. You practically go from one end of Manhattan to the other, working back and forth gathering the items you need. By some strange coincidence the Senator's rally lasts just long enough for you to do all this and then ends the moment you walk into the VIP tent. It's a slight stretch of your suspension of disbelief, but it’s not a game breaker.

The graphics are where the breaks start happening. Moebius: Empire Rising has anexaggerated comic book look that turns into the late 2000's video game style. All the characters have long thin limbs, except David who looks in normal proportion. The style is fine. It's clipping and other effects that fail. Feet go through floors, legs sometimes twist in unnatural ways, and at one point Malachi moves a chair, but he doesn't actually grab the chair as it magically moves, his hand floats on top of it and the whole thing shifts. Little things like this took me out of the game. The worst offender was the water reflections. Now in the background things like trees and buildings that didn't have as much definition are reflected fine. It was when characters stood next to the water with their backs to it. The reflection was not their backside reflected, nope. It was a complete recreation of their front. So unless everyone has their face on the front and back of their head, something's not right here. The first time I saw it I thought the game was going into a dream sequence of some sort.

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I do have to give great praise to Moebius: Empire Rising's voice actors. They turn in some fine performances. I think the real audio gem though is Jane Jensen's husband, composer Robert Holmes. Robert provides a great soundtrack that wouldn't sound out of place in a Hollywood spy thriller.


Moebius: Empire Rising's story starts a bit slow, but by the third and fourth chapters things start getting interesting enough that I want to see how it will end. Malachi is a really hard hero to cheer on. His aloof attitude never really endears himself to the player. The only thing that makes him seem to have a heart is subtle underlying relationship between him and David. At one point David tells Malachi that he is meeting Malachi's assistant, Gretchen, at a nightclub. Malachi asks that David not get involved with his only other employee, to which David replies, "She's not my type." At the nightclub David hints around that he's not interested in Gretchen. Towards the end of the conversation Gretchen tells David point blank to not get too close to Malachi, that, "he will break your heart." The possible gay romance never really moves up from a subtle possibility. It gets to a point where you wish it they would either just come out with it or drop it.

Jane Jensen can tell an interesting tale in a video game still, but there seem to be some stray parts to Moebius: Empire Rising that just doesn't pull me in. Moebius: Empire Rising has flashes of a good gameA main character I have a hard time caring for and a subtle romance that doesn't go anywhere are things that push me away from a game. Throw in graphical elements that completely take me out of the game and we are starting to have real problems. I have to say the puzzles hold things together fairly well, but an adventure game needs more than just puzzles to engage a player. Moebius: Empire Rising has flashes of a good game and you can see where Jane Jensen wants to take it, but as a whole it falls to the middle of the road. If you're a fan of Jane Jensen or point and click style games it might be worth it, but it's a pass otherwise.

  • Published in PC

The Vanishing Of Ethan Carter - Review [PC]

 Please Note: This review does not contain any spoilers.

Lately there has been this push in game development to move beyond the formulaic nature of what big name publishers think works in video games.  It doesn't take too long to see the slew of complaints coming out of major titles these days: the explanation of game mechanics is too long, pacing is terrible, show don't tell, cutscenes are not a great method of storytelling.  From the presence of these forumlas and subsequent gripes, there has been born a new style that I like to refer to as a "just play" game.  The Vanishing of Ethan Carter doesn't tell you a back story, it doesn't tell you what to do, it simply has one initial message that tells you it's an unguided free-form experience and then lets you go.  While I'm sure most gamers will get the jist of what's expected and what to do, I'm sure there are some people out there who will simply freak out and not be able to handle a game where their progress isn't being tracked, where there are no goals or achievements, and where at any given moment you have no idea what to do.  If you are one of those people, just turn away now because you will never find solace with Ethan Carter.  On the other hand, if you just want a lush, gorgeous world to explore and in the end get rewarded with a thought-provoking experience that almost never has to concede to game mechanics, then this could be up your alley.

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You enter the game on a forest-covered path as detective Paul Prospero, who immediately explains that he has supernatural abilities that assist you in discovering what has happened in the town of Red Creek Valley.  It was just as easy to imagine myself as the protagonist and the voice of Prospero merely lending the narration,  but regardless of how you want to view it this is the point where your journey begins.  It's a bit jarring to be dropped into a forest with no indication as to what's going on or what you are supposed to do and with each clue of the game's handful of mechanics and potential puzzles I found myself getting more confused and a bit overwhelmed.  Don't let this discourage you, enough people have played through it and made it out on the other side to assure that eventually you will make the progress you need.  Exploration in this title is so wonderful thanks first and foremost to the game's gorgeous graphics.  Built on the Unreal Engine, it looks almost photorealistic.  Everything from the backdrops to the textures of the ground are handled with the utmost care and the attention to detail must have been a pain for developer the Astronauts to assemble, but the payoff is a world that looks alive and never pulls back the veil to reveal its artificial nature.  The trade off for such wonderful graphics is that you will want a decent graphics card to support them, which my GTX 760 2 GB did a decent job of keeping up with in 1080p although I had to drop a few settings from the highest.  You may notice a random stutter or framerate drop, but the forums on Steam have found a decent solution and the rest can be chocked up to limitations of the Unreal Engine streaming in the next area.  If you're moving at a regular pace and trying to take in everything it's not all that noticeable, but if you find yourself having to backtrack - which you should prepare to have to do - it can be a bit of a nuisance.  Graphics aside the accompaniment of ambient sound effects and a subtle ochestral music assist in the richness of the world, yet again encouraging you to get out there an explore.  

voec 3That's not to say that The Vanishing of Ethan Carter is all about wandering about in the woods looking at minutia, because I would have led that this was an art exhibit instead of a game if that were the case.  It presents itself as a mystery and that comes with it the inclusion of investigation, puzzle solving, and naturally wandering upon grounds where you might not be welcome.  Something has clearly happened in Red Creek Valley and it isn't long before you start to see hints of the past emerge to make your earn the title of detective.  It's at this point that one of this title's main flaws appear in full effect: without guidance you have almost no way of knowing when you have completed an area or puzzle.  Logic dictates the game will give you some sort of indication that you are done, which this game does, but when you go in blind and with no direction you could easily assume it may not.  Couple that with the initial tasks of the game being somewhat complicated and you almost wonder if the point was to eventually have you backtrack to complete what you started.  I don't like to return to areas I've already been and I view it as even more of a misstep when the backtracking works to remind me that I'm playing a game, complete with its experiential limitations.  For all  the work The Vanishing of Ethan Carter does to immerse you, it almost seems misguided when a player can bypass a significant mechanic and plot point only to be forced to spent long stretches returning to clean up that mistake later.  Perhaps it was a concious decision or perhaps the Astronauts were unsure how to balance explaining these early concepts without breaking the ultimate goal of letting the player lead the experience, but either way it's quite a setback.  In all honesty I had to restart the game within the first two hours when I realized what I had left behind and thought about how long I would have to retread my steps to clean things up.  I also discovered from breaking my experience into three different sittings that the checkpoint system is a bit broken and works more like a bookmark of new accomplishments as opposed to the save location that you will begin when playing again.  What I mean is that I could see the familiar "scene saving" message on the screen (there's no direct saving or loading on this game) and quit out, but when I restart later I'm dropped in a completely different part of the map where I last accomplished something new and might have to spend minutes if not tens of minutes returning to where I left off.  If you perform all the duties that an area has available to you before moving on the system should work like a true checkpoint, but from my experience you will often have to return to clean things up and at that point may checkpoint yourself far from where you want to go next.  It might surprise you to discover that as annoying and blasphemous as these factors may be, they hindered but didn't ruin my experience of what is otherwise an enchanting work.

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Once these intial hiccups are overcome and you are getting work done in Red Creek Valley, the subsequent events make it all worth it.  Each encounter or puzzle will make you think, but I never found myself stuck for too long nor was I unable to figure out what I was being asked to do.  You realize just how much testing must have gone on to throw people into an unexplained situation and yet give them enough subtext that they are able to easily navigate provided that they just allow themselves to stop and think about it.  As my momentum through the campaign grew I was rewarded with both plot and design twists that kept me hooked.  If you can't already tell from the screen shots it's a slightly eerie and ominous game from start to finish.  I also never worried about how much I had played or how much game I had left while traversing the story.  I just kept playing as long as I was entertained and when I got tired I would stop, but it wasn't long before I felt the pull to return and complete the mystery.  By the end of the game's approximate 4-6 hour journey, I was pleasantly pleased with the outcome both in terms of the story and looking back at The Vanishing of Ethan Carter from a macro perspective.  Some may find that this length is short, but I felt it was as long as it needed to be and may have been in danger of wearing out its welcome had it been padded down with additional content.  There's no doubt about it, this is a thought-provoking experience that will leave you wanting to talk about it with someone. If you're craving something fresh, look no further than The Vanishing of Ethan Carter.

Final Score: 8/10

A review copy was provided by the developer for review purposes.  The Vanishing of Ethan Carter is available on Steam for $19.99 and should be released on PS4 early 2015.  It took the reviewer 5 hours to complete with an overall playtime of approximately 7 hours.  

  • Published in PC

Baldur's Gate II: Enhanced Edition Review [PC]

 

Christmas is over. The two super hyped "next generation" consoles have released to massive sales even with very limited libraries. Everyone has finished the launch titles they were interested in and the rest have not come down to the magical preowned pick up price yet. There is nothing new on the horizon with naught but a trickle of ports and indie games to keep gamers going until the tail end of march when the next big system sellers Titanfall and infamous: Second son come out.

Looking at the respective stores for new releases each week is like looking for a snowball in the desert.
So these next gen consoles are relegated to being pretty dust collectors for the time being as gamers look elsewhere for the next gaming fix.

PC & iOS seem to be evergreen sources for games however this January again both are rather sparse on the release front. However there is one shining beacon through the bleak winter: Baldurs Gate 2: Enhanced Edition.

baldursgate screen02Originally released back in 2000 (14 years ago at time of writing) based on Advanced D&D mechanics Baldurs Gate 2 managed to sell over 2 million copies, no mean feat considering how complicated this system is.

Combining the original campaign Shadows of Amn with both add ons Throne Of Baahl and Black Pits 2: Gladiators of Thay, there is a massive amount of content contained within, encompassing hundreds of hours of gameplay.

Baldurs Gate 2 features the traditional Isometric RPG with movement and actions controlled via mouse clicks and hot keys (if you so desire). It's very simple on the surface but as soon as you dig into the menus and all the options available for each character within, things start to get real complex, real fast. This is not a game for the casual gamer.

This is further reinforced by the steep difficulty curve, beginning in a dark dingy dungeon (as is common with many RPGs these days) with a group of up to 4 (depending on conversational choices) facing off against ever growing groups of goblins swiftly becomes tricky if you don't have your wits about you. Upon finally exiting this dank dungeon you are greeted with a diverse interesting world to explore and the adventure can truly begin. I wouldn't like to spoil the story for those reading this review but I will say that it's not exactly Lord Of The Rings in terms of quality but it is a compelling story nonetheless that is well worth playing through and has more than a few twists and turns along the way to keep you guessing.

baldursgate screen01

For this enhanced edition, several new areas have been added into the main game which are all presented organically into the main quest and extend the playtime still further, if you were to attempt to see everything in the game you probably wouldn't need to play anything else till the summer.

Yes there's nothing groundbreaking or particularly new here but this is the best version of one of the greatest RPGs ever and that in itself is to be applauded. The graphical update is noticeable and more than acceptable but can't quite quite match the polish of more recent games of a similar ilk such as Diablo 3. The soundscape is well crafted and everything is as you would expect sword clattering, box opening noises are all present and correct and the score is well realised. The voice acting is fairly good though the characters aren't quite as well realised as they could have been.

Throne of Baahl adds more of the same adventuring contained in the main campaign but here it finishes up the story started in Child of Baahl, which can be found in Baldurs Gate: Enhanced Edition.

Black pits 2: Gladiators of Thay is the weakest part of the package focusing on gladiatorial combat confined within an arena whilst it looks and plays just as well as the rest of Baldurs Gate 2, the lack of freedom holds this section back with it's lack of a sense of scale and without a particularly compelling story it's rather a damp squib when compared to Shadows Of Amn and Throne Of Baahl.

Overall this is a great package and unlike other so called enhanced/definitive/Goty packages it is fairly priced at $24.99.

Baldurs Gate 2:Enhanced Edition is available now on iPad, PC, Steam and Mac.

8/10

Andy Urquhart
42 Level One

http://www.42levelone.com=

 

  • Published in PC

Abyss Odyssey Review (PC)

I have no idea what to think of this game. It's really weird, but not in any quantifiable way. Or at least not one that I can easily verbalize. It is so janky with everything it is trying to do that it is infuriating to play, but at the same time I can't just dismiss it as some crap game that no one should play. I'm so confused right now.

Abyss Odyssey is about a wizard. This wizard is so powerful that he fell asleep and created the eponymous Abyss, this huge network of connected rooms filled with monsters, treasures, and weird black and white levels that come right the fuck out of nowhere. He also created Katrien, as well as the Ghost Monk and the Pincoya, who you will play as. You must journey through the Abyss to wake up the wizard and put an end to his nightmare. Along the way you'll find pages from the wizard's journal which will tell more of the story and maybe explain some of things that happen because of the wizard's dream.

This game is very stingy with information on how to play it. One of the biggest aspects of the game is its fighting system. If you've ever played a fighting game then you know that a good training mode can really help you enjoy the game more. At least for me it can. In this game we get a single page with the buttons you use for attacks that you have to navigate to inside of a menu that's in another menu. You're never told that holding the stick forward, up, down, or not at all will change the type of basic attack you do. In a way, this can be very good. Having tutorials out the ass on a game can be really irritating, especially if it's a style of game that you basically know the controls for, and it's something new then it's rewarding to be able to figure out the controls on your own. But this is a fighting game style system, where knowing what the buttons do is crucial to being able to play it.

Even when it does tell you information it can sometimes be misleading. When you die in the game, you're given a chance to come back. You immediately respawn as a soldier, which is a different soldier depending on who you're playing as, and if you can make it back to an altar you will be revived at full health and can continue on. The text box that told me this appeared when I approached what I thought was the first altar. It had a floating stone mask that broke when I got near it, I could set a check point there, and configure my skills. Going through this area I died. I came back as a soldier and made a mad dash for the altar. When I got there, nothing happened. I spent five minutes trying to figure out how to get it to come back but I couldn't. So I moved on. Turns out there's a second kind of altar, and it's this one that lets you respawn. Why the hell would the note about respawning at altars appear at an altar you can't respawn at? With this other altar I also found a merchant who sold me weapons and potions and the like. He also had camp tokens. Camp tokens are what you use to set checkpoints at altars so when you die for realsies you start from there and not the starting town. I had no idea how to get my hands on one of these things and I didn't come across the merchant until my fourth or fifth attempt because I didn't know there even were merchants in this game. It didn't help that he blended into the background, though.

This is a problem that does carry to later in the game. As you go deeper into the Abyss the levels start to change. You start out in standard dark caves, but then you get ice levels and lava levels and plant levels. In the plant levels, stationary enemies that shoot poisonous barbs at you or launch vines out blend in with the environment. I cannot tell you how many times I'd be running down a path to all of a sudden realize one of these things was in front of me. And the poison barb plant thing keeps shooting at you so you could easily get to point where he gets to juggle you a bit by having you getting damaged by the poison, making you unable to dodge the next barb he shoots, which poisons you again.

Speaking of juggling, the combat system in this game is not great. It feels incredibly stiff and slow, to the point where it almost feels unplayable. I mentioned earlier that the direction you're holding the stick affects what kind of attack you do. With Katrien, holding the stick forward makes you do a two hit combo, while not holding the stick in any direction is a three hit combo. But you have to come to a complete stop before it registers that you've let go of the stick. I would be running along and stumble into a random encounter with a group of enemies, which normally I hate because fuck random encounters but here I don't mind it because it doesn't interupt the flow of gameplay, and I would let go of the stick to do the three hit but if my character was still finishing the stop running animation she would do the two hit.

But even when you get the hang of that part of the combat it still feels weird. Any time I've gotten a combo higher than three was total luck and I could never recreate it. Cancelling, which is kind of a core part of fighting games in this day and age, is a special skill that you can deplete and have to wait for it to recharge. And you start out only being able to cancel once, so if you end using your cancel to dodge out of the way of an attack and you get hit anyway because the dodging in this game only works sometimes, you have wasted that cancel and now have to wait for it to recharge before you can cancel out of an attack again. It all feels so clunky and awkward, but at the same time weirdly engaging. Around my ninth tenth attempt I started to get into a rhythm and was actually doing pretty well. It was so bizarre, but I felt like I was starting to understand it. That eventually fell through and it went right back to being bad, but that feeling kept coming back.

I only ever felt that with Katrien, though. The Ghost Monk and the Pincoya I never understood. The characters, while the control the same, have different weapons and attack styles. Katrien uses one-handed swords and is quick than the others (I think). The Ghost Monk uses two-handed swords and is slower but stronger than the others. The Pincoya uses staff weapons which gives her more range than the others. I never felt like I was finally getting the Monk or the Pincoya. I would've needed to play hours and hours of them and I just didn't have the time or the interest.

All the characters also have a magic attack. It's the exact same for each of them and does the exact same thing. Once the mana meter is full they send out a ball of light that deals a lot of damage to anyone caught in it, and when they die their soul falls out. You can then collect one of these souls and turn into that enemy. Aside from bringing you back up to full health when you turn into them, I have no idea why you would want to do this. It's just another new move set you have to figure out.

This game was also sold on the platforming, and it feels as bad as the fighting without the benefit of the clarity I sometimes got. The turning is what really kills it for me. When you change the direction your character is moving or facing, it takes a bizarrely long time. Not that long, but long enough that you can notice it and really feel it. And you can only change direction while you're on foot. Once you're in the air, you have a decent amount of air control but you're always facing the same direction. So if you try to jump up a wall that's behind you, you have to wait for your character to turn around and then jump it. It's a small thing, but it's also a very important part of platforming to have a fluidity of movement. This doesn't feel fluid. It feels like a rusty system of gears.

Finally there are RPG elements. You earn XP to level up your character which unlocks new special attacks and skill points to unlock more cancels and level up your special attacks. It's pretty basic and doesn't add much for me. But with the RPG elements comes random weapon drops or finds, which don't make a whole lot of sense in game. Each of the three characters can only use one type of weapon, and they can't pick up other types. So it doesn't make a lot of sense when I'm playing as Katrien and every weapon I find is a two-handed weapon. If you were able to pick up these weapons and sell them to the merchant for gold that'd be one thing, but since I can't pick them up at all, let alone sell anything to the merchant, it makes no sense as to why they would be there.

Even with all of that bitching I just did, I find the game oddly okay. Yes, the fighting and platforming are very awkward, it's an awkward that you eventually accept. Yes, the game doesn't explain shit to you, but if you keep bashing your head into it over and over you'll figure out what most of it means. Add to that a premise I think is interesting and graphics that look fine, this is a game that I can't say is good but I just barely enjoyed it, too. Take that for what you will.

  • Published in PC

Beatbuddy Review (PC)

beatbuddyYou probably haven’t heard of THREAKS before. It’s more than likely because they’ve never released a game before, so here’s their first game ever, Beatbuddy: Tale of the Guardians. Just because it’s the first game for the developer doesn’t mean there aren’t some industry veterans behind it, including Austin Wintory, composer of Journey, who has contributed songs for the game and Rhianna Pratchett, who is the writer for such games as Tomb Raider and Mirror’s Edge. So despite THREAKS being relatively new, there’s plenty of experience behind the team of Beatbuddy. Beatbuddy is a puzzle adventure game where your character, who just so happens to be called Beatbuddy, has been awakened from a deep slumber and then finds out his musically driven world is being the threatened with ultimate destruction. It’s up to you to puzzle solve your way through the game and find out why.

Beatbuddy is a rather simple game, your character Beatbuddy is a floating ghost-like character who moves around with 8 directions of freedom. It plays like you were a spaceship in a 2D world. You go through from section to section where you run into different obstacles that stop you from advancing. For example, one the most common puzzles elements are bounce pads which send you flying backwards and you have to orientate various mirrors to send you in a different directions from where you bounced from. The point is to send yourself flinging at top speed at clearly marked destructible walls which you hit and destroy after successfully orientating the mirrors correctly. You then move on and advance to the next section of level from there. Honestly it’s usually rather obvious what direction you’re supposed to line the mirrors up and so you spend an excruciating amount of time trying to line up mirrors correctly rather than solving actual puzzles.beatbuddy

Another central mechanic found within the game is that it’s supposed to be all about the beat where the music drives the environments and the environments drive the music. Honestly on this score, the game doesn’t quite live up to it’s hype. While there are definitely reasons that the music matters, like when the music is affected by touching items in the environment and even some enemies that have to be killed to the rhythm of the music playing, however there is no compelling use of the beat mechanics for the most part. It’s really just a gimmick that never gets used to its full potential.

Rhianna Pratchett is flaunted as the star writer, however the story really isn’t all that central to the game. You do have a reason to go from point A to point B but you’ll never get all that involved in the plot. The game’s story is mostly told through boring text bubbles that can be kinda funny sometimes but usually aren’t.

I’ve spent plenty of time bagging on the game but I feel I should highlight its positives as it’s not a bad game. While not innovative, you do have on your hands a solid puzzle adventure game that is not very difficult but is still fun. The primary mechanics are compelling enough to make you want to play through the game despite the few annoyances I mentioned earlier. There are constant checkpoints making it easy to jump in and out of the game between sessions. The game has plenty of options for controls (Keyboard, Gamepad, Mouse) and all of them play well. The musical score for the game is great. There was much attention paid to making a great electronic orchestral for the levels so I’d definitely recommend picking up the soundtrack once it’s available. I did notice the volume options can’t mute the game and only goes from somewhat low to high volumes, so keep that in mind. The “hand-painted” characters and environments look awesome and much kudos goes to the art director for the unique and beautiful game that they crafted.

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Beatbuddy is a fun little game that warrants it’s budget price. You’ll get a solid 5 hours out of playing it which could be seen as short to some but it was enough for me. You won’t have your socks blown off playing the game but it’s got a unique vibe and all in all it's worth a look.

  • Published in PC
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