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The String Arcade [Music Review]

The String Arcade Artwork

For those of us 30+ gamers video game music is embedded deep inside us. Having played the same levels over and over and over … and over again has left a mark on our memory that will likely last longer than our memory of our own offspring. The music is tied to our failures, our victories and new discoveries. When I first saw the track list for The String Arcade I immediately looked for game names that I recognized; Sonic the Hedgehog 2, Galaga and The Legend of Zelda. What I was surprised to discover is several modern games including some mobile games. I would be lying if I didn’t scoff and get a bit snobby about it, “Why would they pick those games? Who wants to listen to Plants Vs Zombie?!” I put my prejudice aside, put on my headphones, ignored my children and listened intently to The String Arcade.

Produced by composer Dren McDonald, The String Arcade is arranged and performed by a string quartet. The String Arcade goes far beyond simply recreating video game music, the arrangements are lush with complexity and depth. While each track is unique, the  album is arranged as a cohesive unit. Thematically it sounds like a soundtrack complete with a beginning, middle, ending, and epilogue. Grasswalk kicks it off with a playful pace mixed with grade-school-Halloween spookiness complete with zombie moans. Engii evokes the sounds of a space opera complete with epic solitude. Echoes of Ecco, Sonic 2 Scherzo and Altered Beast Title Theme all have beautifully rich cello work that gives them a lot of edge that was indicative of those games back in the day. Also there are parts of Echoes of Ecco where it actually feels like you’re underwater complete with dolphin calls. Ferdinand Wanders Out for a Late Night Haircut and Medicated Cow Walks the Cobbled Streets with Disgruntled Goat were both big surprises to me because they were inspired by mobile games but are brilliantly done. Dance of the Space Bugs and The Legend of Zelda Title Theme both rely on the original songs’ melodies but are both more vibrant than any other recreations I’ve heard. Especially The Legend of Zelda Title Theme closes the album out that truly feels like the end of an epic adventure. 

Having now listened to the album several dozen times: every time I hear something new. It begs to be listened to from beginning to end over and over. I actually feel a little uncomfortable if I have to stop listening to the album before I get to the end. I feel guilty having had reservations intially from reading the track list. Track numbers may break up The String Arcade but it should be listened to as a whole. It is a true joy to listen too and I plan to keep it in my rotation for a long time. 

All proceeds of The String Arcade go to the Alameda Music Project, an afterschool music program for kids in grades K-5.

You can purchase the CD from:

Loudr.fm - http://www.loudr.fm/release/the-string-arcade/wvbUB

iTunes - https://itunes.apple.com/us/album/the-string-arcade/id805763356

Bandcamp - https://thestringarcade.bandcamp.com/

  • Published in PC

Dying Light - Review [PS4]

 

It’s a common theme, the world is in danger of being overrun by mindless zombies. The outbreak is held at bay by a quarantine trapping both “biters” and survivors alike. The survivors band together into two groups, Runners and Bandits. And so it goes, the conflict between the living and dead as well as between the living and the living.

You play as Crane, an agent of the Global Relief Effort (GRE) dropped into to the writhing hell hole that is the Harran ona mission to secure a file from the leader of the Bandits, Rais. Early on in your campaign you’re befriended by members of the Runners faction that are lead by Brecken, a parkour instructor who’s trained his followers the art of fancy jumping and climbing to keep them one step ahead of the zombies while they scrounge the city for supplies. You’re almost immediately welcomed into the fold by the runners after coming to the rescue of one of their members. Soon you’re asked to go on missions, after a bit of fancy running and jumping about training, which are comprised mostly of fetch quests and dungeon crawls. Being a typical modern city though the dungeons of Harran are comprised of sewer tunnels and the corridors of high-rise apartment buildings. Eventually the Runners need antizen, a drug that’s used to prevent infected survivors turning into flesh eating monsters, from the Bandits and you’re volunteered to broker a deal. Of course the bandit leader is a charismatic psychopath who’s against any deals that have a potential to be fair. Rais orders you to run errands for him, reneges on his deal and a recipe for conflict is concocted. Through the course of the story you grow attached to some of the Runners and their wellbeing soon becomes your primary concern. Personally I found the story formulaic and the NPCs do what they always do, ask you to do favors for them. There are plenty of side missions available but I spent 19 of my play hours focused on the story missions alone.

The open world first-person gameplay of Dying Light is like something Dr. Frankenstein would have dreamt up. The developer essentially spliced together elements from several triple-A titles. Movement is reminiscent of Mirror’s Edge, your ability to run and jump and climb is indispispensible in traversing the city. Dungeon exploration right down to the lock picking mechanic is highjacked from Skyrim. There are several locations in the open world map that can be cleared and made into safe houses similar to Far Cry(unfortunately there are no zombie elephants). There are a lot of other features of Dying Light that are cherry picked from other games but overall they are implemented rather well. Your weapon load out can run the gamut from water pipes to hatchets to rifles. All the weapons can be upgraded to enhance their effectiveness and all behave rather different. Blunt objects will crunch and rebound as you’d expect and slicing weapons will cleave ever sosatisfyingly when upgraded properly. The gun play is a hot mess, right clicking R3 will allow you to aim down the sight but if your hungry opponents get too close you’re better off switching to a scythe and decapitate them before you’re overrun. Besides the mindless zombie drones there are some more deadly variations. Some are faster, some are stronger, some explode with little notice and others will spew green toxins at you from several yards away. In some cases it’s well advised to stick to the roof tops when running from place to place. It’s the best way to navigate the open world while the undead try their best to gnaw on your heels . When you get to the dungeon sections avoidance is less of an option but it still pays to be cautious. Melee fighting drains stamina so having a quick route of retreat to catch your breath is good practice (a la Skyrim).

The sound design and graphics are very well done. Besides a bit of open world jank this is where the game shines. I played about a third of the game with headphones on.The sounds of screams, moaning, feet shuffling and the horror music is nerve racking when you’re playing at night, in the dark, with a bit too much rum in your system. There are jump scares in the game but they are fairly well spread out so when they do happen they are effective. Also when they don’t happen you feel kind of foolish. The city of Harran really looks like an outbreak has taken place. Besides the fidelity of it all, abandoned vehicles, buildings and lunches all appeared to have been turned upside down right in the middle of life. The architecture of the city proper and the “old” city are well varied and provide a beautiful landscape from a distance when your zipping down a zip-line. Walls with blood streamed hand prints, boarded up doors, improvised booby traps and graffiti messages to other survivors depict the the gruesome struggle between living and dead. It’s a beautiful mix of metal, concrete and organic matter that you wish you had more time to explore if you weren’t being hounded awful day and gruesome night. Oh the night! When the sun goes down, you can’t see more than a foot in front of you and ultra violent zombies come out to shred you to pieces. You do get a stat boost for operating in the dark but unless you’ve leveled your weapons and character you might not make it to the morning in one piece. Furthermore, while this might sound morbid but I was very impressed with the level of detail that went into rendering severed body parts. Under close inspection you can see clearly the sinew, bone and marrow of the recently re-deceased. Anatomically, I’ve never seen another game that is its match. It may be something that goes unnoticed by most but if you do play this game, examine your slain, it’s awesome.

04

To reiterate, it took me about 19 hours to complete the story and there was still a lot of side missions that I didn’t get to and miles of landscape of hidden treasures that I didn’t fully explore. This game is a loot and leveling junky’s wet dream. There’s a lot of real estate to mine for swag to upgrade weapons and endless fodder to max out your character. While obviously not necessary to complete the story, if you’re into collecting this game has extra value. If you’re looking for an intense and deep story with revolutionary gameplay mechanics you should probably look elsewhere.

 
If you'd like to find out more about Dying Light check out the website at:http://dyinglightgame.com/

The Vanishing Of Ethan Carter - Review [PC]

 Please Note: This review does not contain any spoilers.

Lately there has been this push in game development to move beyond the formulaic nature of what big name publishers think works in video games.  It doesn't take too long to see the slew of complaints coming out of major titles these days: the explanation of game mechanics is too long, pacing is terrible, show don't tell, cutscenes are not a great method of storytelling.  From the presence of these forumlas and subsequent gripes, there has been born a new style that I like to refer to as a "just play" game.  The Vanishing of Ethan Carter doesn't tell you a back story, it doesn't tell you what to do, it simply has one initial message that tells you it's an unguided free-form experience and then lets you go.  While I'm sure most gamers will get the jist of what's expected and what to do, I'm sure there are some people out there who will simply freak out and not be able to handle a game where their progress isn't being tracked, where there are no goals or achievements, and where at any given moment you have no idea what to do.  If you are one of those people, just turn away now because you will never find solace with Ethan Carter.  On the other hand, if you just want a lush, gorgeous world to explore and in the end get rewarded with a thought-provoking experience that almost never has to concede to game mechanics, then this could be up your alley.

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You enter the game on a forest-covered path as detective Paul Prospero, who immediately explains that he has supernatural abilities that assist you in discovering what has happened in the town of Red Creek Valley.  It was just as easy to imagine myself as the protagonist and the voice of Prospero merely lending the narration,  but regardless of how you want to view it this is the point where your journey begins.  It's a bit jarring to be dropped into a forest with no indication as to what's going on or what you are supposed to do and with each clue of the game's handful of mechanics and potential puzzles I found myself getting more confused and a bit overwhelmed.  Don't let this discourage you, enough people have played through it and made it out on the other side to assure that eventually you will make the progress you need.  Exploration in this title is so wonderful thanks first and foremost to the game's gorgeous graphics.  Built on the Unreal Engine, it looks almost photorealistic.  Everything from the backdrops to the textures of the ground are handled with the utmost care and the attention to detail must have been a pain for developer the Astronauts to assemble, but the payoff is a world that looks alive and never pulls back the veil to reveal its artificial nature.  The trade off for such wonderful graphics is that you will want a decent graphics card to support them, which my GTX 760 2 GB did a decent job of keeping up with in 1080p although I had to drop a few settings from the highest.  You may notice a random stutter or framerate drop, but the forums on Steam have found a decent solution and the rest can be chocked up to limitations of the Unreal Engine streaming in the next area.  If you're moving at a regular pace and trying to take in everything it's not all that noticeable, but if you find yourself having to backtrack - which you should prepare to have to do - it can be a bit of a nuisance.  Graphics aside the accompaniment of ambient sound effects and a subtle ochestral music assist in the richness of the world, yet again encouraging you to get out there an explore.  

voec 3That's not to say that The Vanishing of Ethan Carter is all about wandering about in the woods looking at minutia, because I would have led that this was an art exhibit instead of a game if that were the case.  It presents itself as a mystery and that comes with it the inclusion of investigation, puzzle solving, and naturally wandering upon grounds where you might not be welcome.  Something has clearly happened in Red Creek Valley and it isn't long before you start to see hints of the past emerge to make your earn the title of detective.  It's at this point that one of this title's main flaws appear in full effect: without guidance you have almost no way of knowing when you have completed an area or puzzle.  Logic dictates the game will give you some sort of indication that you are done, which this game does, but when you go in blind and with no direction you could easily assume it may not.  Couple that with the initial tasks of the game being somewhat complicated and you almost wonder if the point was to eventually have you backtrack to complete what you started.  I don't like to return to areas I've already been and I view it as even more of a misstep when the backtracking works to remind me that I'm playing a game, complete with its experiential limitations.  For all  the work The Vanishing of Ethan Carter does to immerse you, it almost seems misguided when a player can bypass a significant mechanic and plot point only to be forced to spent long stretches returning to clean up that mistake later.  Perhaps it was a concious decision or perhaps the Astronauts were unsure how to balance explaining these early concepts without breaking the ultimate goal of letting the player lead the experience, but either way it's quite a setback.  In all honesty I had to restart the game within the first two hours when I realized what I had left behind and thought about how long I would have to retread my steps to clean things up.  I also discovered from breaking my experience into three different sittings that the checkpoint system is a bit broken and works more like a bookmark of new accomplishments as opposed to the save location that you will begin when playing again.  What I mean is that I could see the familiar "scene saving" message on the screen (there's no direct saving or loading on this game) and quit out, but when I restart later I'm dropped in a completely different part of the map where I last accomplished something new and might have to spend minutes if not tens of minutes returning to where I left off.  If you perform all the duties that an area has available to you before moving on the system should work like a true checkpoint, but from my experience you will often have to return to clean things up and at that point may checkpoint yourself far from where you want to go next.  It might surprise you to discover that as annoying and blasphemous as these factors may be, they hindered but didn't ruin my experience of what is otherwise an enchanting work.

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Once these intial hiccups are overcome and you are getting work done in Red Creek Valley, the subsequent events make it all worth it.  Each encounter or puzzle will make you think, but I never found myself stuck for too long nor was I unable to figure out what I was being asked to do.  You realize just how much testing must have gone on to throw people into an unexplained situation and yet give them enough subtext that they are able to easily navigate provided that they just allow themselves to stop and think about it.  As my momentum through the campaign grew I was rewarded with both plot and design twists that kept me hooked.  If you can't already tell from the screen shots it's a slightly eerie and ominous game from start to finish.  I also never worried about how much I had played or how much game I had left while traversing the story.  I just kept playing as long as I was entertained and when I got tired I would stop, but it wasn't long before I felt the pull to return and complete the mystery.  By the end of the game's approximate 4-6 hour journey, I was pleasantly pleased with the outcome both in terms of the story and looking back at The Vanishing of Ethan Carter from a macro perspective.  Some may find that this length is short, but I felt it was as long as it needed to be and may have been in danger of wearing out its welcome had it been padded down with additional content.  There's no doubt about it, this is a thought-provoking experience that will leave you wanting to talk about it with someone. If you're craving something fresh, look no further than The Vanishing of Ethan Carter.

Final Score: 8/10

A review copy was provided by the developer for review purposes.  The Vanishing of Ethan Carter is available on Steam for $19.99 and should be released on PS4 early 2015.  It took the reviewer 5 hours to complete with an overall playtime of approximately 7 hours.  

  • Published in PC

Injustice: Gods Among Us (PS3)

Injustice: Gods Among Us PS3When I was a kid, I wanted to be a superhero. I wanted a cape and a secret hideout. I wanted to beat up all the bad people in the world and I wanted to fly. I didn’t want to be Batman, because even as a kid, I knew that he wasn’t a real superhero. He didn’t have any powers. He was just a rich guy who was friends with the police commissioner. Living in the projects, I knew that those traits were more out of reach for me than getting the ability to fly. Plus, I had already tried jumping off of the top of a dumpster while holding an umbrella over my head, and the results were nowhere close to the smooth gliding descent that I had seen on Batman's TV show.

In their latest fighting game, Injustice, Gods Among Us, NetherRealm Studios is giving gamers the chance to become their favorite superheros (and villians). Using the well sculptured fighting engine from 2011’s Mortal Kombat, players can battle each other as some of DC’s most iconic characters. And for the first time, it doesn’t feel watered down. Superman punches people into space, Batman runs opponents down with the Batmobile, Aquaman feeds bad guys to sharks. It’s the epitome of comic book wish fulfillment. The list of characters is a good mix of well known standards and fan favorites. Wonder Woman, Green Lantern, and Flash are joined by lesser known heroes like Green Arrow, Hawkgirl and Cyborg. Infamous bad guys, Joker, Bane, and Lex Luthor stand beside second stringers Solomon Grundy, Killer Frost, and Black Adam. In all, there are 24 characters in the game with more being added via DLC. Each character has the trademark powers we all know them for. It’s a true feat how the developers managed to balance the gameplay between the esoteric powers of someone like Green Lantern with the more grounded attacks of Deathstroke.

I've always wanted to be Superman. He was a real superhero. He could fly wherever he wanted. Bullets couldn’t hurt him. And he was strong enough to stop anyone from even trying. Superman was my guy. And when my mom dropped me off at the YMCA Boys Club for the first time, I was proudly wearing a freshly washed Superman shirt. In the summer, when there’s no school, some kids would get shipped off to summer camp to give their parents some rest. I've always wanted to be Superman. He was a real superhero.Others spent those off months playing outside in the neighborhood. But when camp is too expensive and your neighborhood is not a good place for a kid to be walking around, you get dropped off at the YMCA Boys Club. Think of it as a daycare center littered with makeshift weapons, filled with boys from 9 to 17 years old and with barely enough adult supervision to satisfy any government regulations. Each morning parents would drop off kids on the way to work, and each evening they’d come pick them up. Hopefully more or less intact. As soon as my mom drove away I was faced with a scene that was a mix between the Lord of the Flies and the Hunger Games. But I wasn’t worried. I was wearing my Superman shirt.

I had managed to map out a schedule to surviving each day. In the morning, before the big kids showed up, I passed the time in the game room, playing pool and foursquare. Once the older kids arrived, it was time to abandon the inside of the building and head for the playground. And once it got too hot to stay outside, I would head for the makeshift library, to spend the rest of the day playing board games and reading in the corner. In the end, the library became my fortress of solitude. But for a while, the playground was my favorite part of the day. Because that’s where I got to practice being a superhero.

Superman Batman BatcaveInjustice: Gods Among Us has all of the prerequisites for a fighting game, alternate costumes, distinct locations, flashy super moves, etc. Then it takes them a step further. Levels are multi-tiered, with the ability to knock your foe into an entirely new environment. Supermoves go a step further and deliver a cinematic punch worthy of their comic book origins. The single player offerings include the usual versus modes, but there’s also an inventive Star Labs section where the heroes are given different tasks to complete, not always involving fighting. Dodging debris, saving civilians, and breaking barriers are some of the skills you’ll master in Star Labs. Of course, there are still a good deal of ‘Beat up this guy to win’ type of missions, but the occasional change of pace is welcome after years of single player fighting game modes that are simply dumbed down versions of the multiplayer experience.

Swingsets are boring. Sure they’re fun for a few minutes, but day after day, week after week, even a goofy kid like me figured out that I was just going back and forth. That is, until I discovered how to ‘fly’. Here’s how it worked, first, you stand up on the seat. Then by bending your knees, and pushing forward, you get much higher, much faster that you can by sitting down and pumping your legs back and forth. Now, most of the other kids would sit down at some point and then ‘jump’ by sliding off of the front of the swing. That was fun. But it wasn’t flying. Flying was jumping off while you were still standing. Soaring through the air and landing further than anyone thought possible. Thats what I was doing. A lot. I was 12 years old and still invincible. And when some of the other kids began to copy my swingset superheroics, I had to find a way to take it up a notch. It’s not a superpower if everyone is doing it. So I decided to add a level of difficulty.

I stood on the cracked black rubber that passed as the seat of the swing and bent my legs. I pushed my feet forward while pulling back on the chains as hard as I could. For this to work I would need to go higher than I ever had before. Best case scenario, I would land twirling in the grass, armed crossed, looking like a bad ass.</>Soon I was speeding back and forth, the wind whooshing in my ears and the world blurring. The moment of truth was almost here. I couldn’t go any higher and some faint twinge of self preservation told me not to try. But it was just a twinge, and so it failed to stop me from completing the next part of my kryptonian destiny. I jumped. Just like I had dozens of times before. I figured I must have been twenty feet off the ground, no, more like fifty. And this is where I would set myself apart from all the pretenders. In mid-air, I twisted my body to spin around 360 degrees. Best case scenario, I would land twirling in the grass, armed crossed, looking like a bad ass. Worst case scenario...well, kids don’t really consider worst case scenarios. Plus, I saw Superman do it in a movies, so I knew it was possible.

Harley Nightwing MetropolisInjustice:Gods Among Us manages to mix casual and hardcore gaming together, so that even if you’re not veteran of fighting games, you still feel like anything is possible. You can hit a guy through a brick wall without memorizing a complete sequence of button presses and thumbstick movements. On screen indicators let you know when you can pick up that helicopter and slam it down on Bane’s head. But at the same time, it never feels crippled by it’s simplicity. It’s just as happy to have you dole out punishment via 20+ hit combos worthy of the best players at EVO or single button supermoves that send your opponent through a subway train.

My own supermove was a near complete success. When I made the leap from the top of the swing’s arc, I heard everyone gasp. When I spun, I heard the appropriate amounts of ‘WHOA!’ . And when I landed I heard the kid who was up next yell ‘Oh my God!’. I also heard someone snap their fingers for some reason. The landing wasn’t perfect. I must have over-rotated because instead of the cool superman pose I had planned on, I was sprawled on the grass with dandelions in my teeth and ears. Not a big problem. I’d do better next time. I didn’t realize that there’d be no next time.

I got up to soak in the adulation of the other kids, but they had already moved on. I decided to sit on the edge of the nearby see-saw in case anyone wanted to come and ask how I managed to fly like that. For some reason, getting from the ground to my would be throne was a lot harder than it should have been. My right foot wasn’t cooperating. In fact, it was screaming for me to stop moving. I hobbled over and sat down as tears welled up in my eyes from the pain. I hobbled over and sat down as tears welled up in my eyes from the pain.I sat there for an hour. Partly trying to figure out why I couldn’t walk but mostly working out how to spin better the next time I jumped off the swing. Some kids yelled that a game of ‘Bombardment’ was about to start in the gym. Bombardment is basically dodgeball on steroids. We all loved it. And if enough of us got there fast enough, we’d be able to avoid the influx of older kids that always signaled the end of ‘fun’. I got up to run to the gym, and was immediately reminded that my foot was still off duty. It should have fixed itself by now. I wasn’t worried though. Superman never stayed hurt for too long, so I was positive that my malfunctioning foot would be better soon. I hopped on one leg to the gym. and each time my right foot even glazed the ground, a bolt of pain shot up my leg. By the time I made it to the gym, any thoughts of dodging rubber projectiles had fled my mind. Instead, I crawled to the top of the bleachers, and pretended to watch while fighting back the urge to cry for help.

Injustice: Gods Among Us succeeds where other superhero games have failed. No one wants to play a game as a superhero only to find out that your character’s powers are diminished for the sake of ‘balance’. It’s not fun to don a costume only to find out that you can be taken down by an average street thug. And it also avoids the traps that other fighting games fall into. It’s easy enough to learn, but not so convoluted that you need a guide book and months of practice to enjoy yourself. NetherRealm has done a fantastic job of allowing anyone the chance to feel how fun it would be to have superpowers, even if it’s only in a game.

By the time my mom was due to pick me up at 5:30pm, I had been in the bleachers for nearly 6 hours. It wouldn’t be until the next day that I would learn the snap I heard on landing was actually my ankle fracturing. I had no idea that I was destined to spend the next 6 weeks in a cast and crutches. I hopped to the car, dragging my useless foot behind me, each step an explosion of spikes slamming into my leg. I got in the car, shaking from the pain, and the first thing I said was ‘Ma, Today I was Superman!’

Score 9/10

Rise of the Triad Review

 

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I didn't get really into gaming until the early 2000s, so I missed a lot of the classic stuff that some people remember about the early days of gaming, including Apogee. They eventually turned into 3D Realms, but they put out some stuff before then that people really liked like Wolfenstein 3D, the Blake Stone games, and Rise of the Triad: Dark War. ROTT was a prime example (at least from what I've heard) of the old school style of shooters, with crazy enemies, weapons, and power ups. Also you could turn into a dog. So it would make sense that someone would want to reboot a franchise like this. It's unfortunate that they had to reboot like this, because it's not very good. 

In the new Rise of the Triad, you once again slip into the leather boots of H.U.N.T., the High-risk United Task-force, consisting of Taradino Cassatt, Thi Barrett, Lorelei Ni, Doug Wendt, and Ian Paul Freeley. They are sent to San Nicolas Island off the south coast of Calfornia, which has been taken over by a terrorist group/cult called The Triad. Once there, the team gets discovered and their boat is destroyed, meaning the only way off the island is to fight your way through the Triad. And beyond that I honestly couldn't tell you anything more. The only story bit I saw was at the very beginning of the game. It was told in a motion comic style cutscene, complete with pretty decent artwork and absolutely terrible voice acting. You'd think that last bit would be a negative, but it got me really excited to play the game. While some of the characters' voice-work was just the bad kind of bad, most of the main five have the kind of bad voice acting that just makes laugh and feel good about things.

Then we get to the actual game part of the game. You can play as any of the five characters listed above and each come with their own stats, like endurance or speed, meaning some guys are tougher while other guys are faster. But honestly I couldn't tell you the in-game difference between any one of them. All of them seem to take the same damage, which is really inconsistent depending on where you are, and they all move at one speed, which too fast to be playable. Every character moves at half the speed of sound and the mouse is so sensitive even at 50% that trying to look around while walking down a straight becomes a huge ordeal that will probably end with you running into a wall repeatedly or being stuck on some piece of the world geometry. The movement speed is especially crappy for searching for and collecting coins and secrets, which the game scores you on. A lot of times they are on walkways or platforms that you have to jump to or use jump pads to reach. Since you're in first person the entire time, you can never see your feet to judge when you're above it. Add on to that that your movement in the air is just as fast as when you're on the ground, it becomes a game of trial and error trying to get these items. If you want to avoid these annoying platforming bits and forget about the collectibles, some levels force you to platform in order to finish a level. To top it all off, some of these sections result in instant death if you mess up even once, meaning you have to go back to the last checkpoint, which there are only two of in every level.

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But you don't come to a game like this for the platforming, you come for the guns and shooting which kind of work. You got your standard stuff with your pistols, machine gun, and rocket launcher, but then you have some of the cooler stuff. You've got the heat seeking missiles, which home in on enemies. You've got drunken missiles, which can be fired like a minigun or just flying off in random directions. You've got the heat wave, which shoots out a wall of fire that incinerates your enemies. And you've got Excalibat, a magical baseball with an eye in the center of it that kills enemies in one hit and fires energy balls. The weapons themselves are actually kinda weak and don't really have any kind of punch behind them, but they can make the game bearable for a brief few moments. But these weapons come with very limited ammo and once you run out, so long interesting weapon. You can pick up more of them and if you know where to look you can be rolling with these for a good chunk of the game. If you aren't looking carefully, though, you can miss these weapons and be stuck with your standard stuff. The pistols and machine gun are total jokes, with enemies soaking up bullets and barely even reacting to being shot by these guns over and over again. It makes you feel completely powerless and these weapons, along with all the other ones I mentioned, can be stolen very easily by the enemy leaving you with a solitary pistol until you can find something interesting again. The cool thing I will say about the pistols and machine gun is that both of them have infinite ammo but you can still reload them. So you can just stand there for twenty minutes reloading your dual-wielded pistols with an awesome animation. It won't affect anything and is entirely pointless, but it looks great.

The enemies will be shooting at you, too, so you'll need to know where their shots are coming from to find them. Good luck with that, because the damage indicator is a joke. It barely reacts when you're being shot, so you only get a notification when you're being shot every fourth or fifth time. It also doesn't dynamically move to show where the shots came from relative to the way you're looking. Combine that with the movement speed problem and you will have no idea where most shots are coming from unless you stand still and just wait while you're getting shot to find the enemies. Also, have fun finding the enemies. All of them dress in grey and brown, and since this is an Unreal Engine game, all of the environments are grey or brown, so enemies can very easily blend into the background while spinning around trying to find them. It gets especially fun in the poorly lit corners when the only way to see them is their muzzle flare. Plus, enemies can just randomly spawn in. Multiple times throughout the game I'd be walking along and all of a sudden an enemy just appears before my eyes.

Speaking of environments, they are quite bland in this game. Every level I played was interchangeable with every other level in a given area, just with a different layout. Because of this it can be difficult to figure out which way you're supposed to go. A few times while playing I got turned around and ended up running back to the start of the level before I realized I was going the wrong way. From what I've seen of later levels this gets better, but they still look incredibly boring. One of the later levels gets lava and it looks just awful.

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This game is also bugged up the butt. I already mentioned the enemies magically appearing in front of you and being caught in the world geometry, but that's just the tip of the iceburg. Many times while playing through the game, I was forced to reload my machine gun. The machine gun, need I remind you, has infinite ammo and no need to reload. But still, I would walk in to an area, running out of my rocket launcher or special rocket launcher ammunition, and switch back to my machine gun. I would click to fire, but instead I would reload, giving the enemy a chance to shoot me to death.

The cheats are bugged as well, because yeah there are cheats. Twice when I was in god mode, you know, the mode that makes you invincible, I was killed. And this wasn't an instance where god mode just randomly turned off (although that happened a couple of times, too). I was in the middle of a god mode massacre, when all of a sudden this big new enemy or boss would show up, fire off one shot, and kill me instantly. Even if I wasn't in god mode, I was at 100% health. Either those enemies have one-hit kills or I got screwed. On top of being buggy, the cheats just aren't really that great to begin with. Sure, god mode and no clip and stuff like that is fine, but all of the cool stuff brought over from the original game are just power ups, even with cheat codes. The god mode power up is way better than the god mode cheat, but that and dog mode and every other cool thing from the original game can only be used for a short amount of time before they run out. Then you'll have to jump back to the command console, which doesn't pause the game when you pull it up, enter in the code again and pick up the power up it spawns. That is, assuming it even summons the power up at all. I've had to enter codes four or five times to get the power up to appear.

Finally there's multiplayer. But I couldn't tell you anything about it. I waited in the lobby for 10 minutes while the game searched for servers. It never stopped searching.

Rise of the Triad is not a good game. It is a pretty bad one. While some of the weapons and power ups are kinda cool and it's nice to play this style of shooter again, the game is buggy and bland and too damn fast you to enjoy any of the nostalgia this kind of shooter will invoke. If you're a huge fan of the original, I can maybe see you getting some enjoyment out of this. But you have no love for the original and are just looking for a fun, old-timey shooter, DOOMSerious Sam, and Painkiller are all available on Steam. Get them. Don't even bother looking at this game. it's not worth your time.

  • Published in PC

5 Star Wrestling Review [PS3]

As the AllGames.com resident wrestling fanatic, which includes video games, and seeing as it's WrestleMania season, I've been tasked with reviewing the new indie game that dropped on the PlayStation Network exclusively for PS3, 5 Star Wrestling. First, to understand the title of the game, you need to know that a 5 Star match in wrestling is the highest ranking you can receive in wrestling. Though, this ranking system was started by Dave Meltzer of the Wrestling Observer newsletter, it just caught on and now everyone just kind of follows it. To put this in perspective, the WWE as a whole has only had five 5 Star matches since this ranking system began in the 80's.


The selling point by 5 Star is that wrestlers can/will take damage and that damage will actually affect gameplay. This selling point is what got me so excited for the game in the first place. This was something that no games before it had done, even though the WWE games Wrestlemania 2000, No Mercy, and Day of Reckoning 1 & 2 had damage meters, and the wrestlers would limp or hold an arm, the damage never affected gameplay. The other point, which was also exciting, was unique finisher reversals, some even reversing into the opponent's finisher. This also, to my knowledge anyway, hadn't been done before. So when the game dropped, and I bought it, I had some high hopes. Was I dreaming or did 5 Star Wrestling deliver a 5 star product?

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When starting, and playing this game, I feel it's important to note that this is an indie game. A small team of passionate people came together to make what they felt would be an awesome wrestling game. So keeping that in mind, I also feel that it's completely unfair to compare it to critically acclaimed games like WWF No Mercy, and current games like WWE2k15. I mean, WWE2k15 is basically working off a backbone that was started and has been refined since 1995!


I'm not going to bore you with basic stuff, there's a menu, there's music, language select, all the good stuff. The game menu music is just a randomly played wrestler theme song. Getting into the meat of this game, there's 8 wrestlers, "Raging" Andy Organ, Harvee Dee, Gregg Hearty, Dynamite Pegasus, Jonny "The Bull" Miavia, Mike Iceberg, Curtis Angel, and Ragnabrok. Since the name of the developer IS Serious Parody, I'm sure you can figure out who each wrestler is a parody of. Personally, I find the goofy names pretty awesome because it feels like a throwback to the old Fire Pro Wrestling games that had to come up with a bunch of goofy names for the wrestlers. As for match types, there's 7, with 6 being locked, they are:

  • Wrestling Match*
  • Pin Fall Only
  • Submission Match
  • 2 Out Of 3 Falls
  • No Holds Barred
  • First Blood
  • Last Man Standing


*Available at start

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There's also 1 alternate attire for each wrestler that can be unlocked. You can unlock match types, attires, and arenas by going through the Challenge Mode, and earning coins.


Challenge mode is the main mode of this game. Challenge mode is what it sounds like, a lot of different challenges, each challenge comes with 3 (or more) objectives, and tracks whether your match is a 5 star classic or not. To be honest, the first few challenges I did, i was just killing the objectives and then finishing the match, which lead to 1 or 2 star matches. You'll get more coin for higher star matches.


Graphically, this game is better looking than a lot of stuff out there right now, and it doesn't do the typical indie game thing where it's either pixel art dubbed "retro" or some weird artsy style. While the character models are far from realistic, they'd probably fall somewhere in like with cartoony muscle guys. But it works, so I can't knock it, i like the look of the characters and the arenas. Oddly, there's crowd noise piped in by speakers that you can see in the arenas if you really look, because there's no crowds. I kind of hope they add crowds via a patch or something, but really it's not that important.


Gameplay wise, this is where I have a lot of conflict. The controller scheme is something completely new to me, so it takes some getting use to. After a few playthroughs I really like it now, as you only need to press, at most, 2 buttons (at once) and flick the right analog stick to pull a move off, but mostly you'll be pressing one of the shoulder buttons and either hitting the right analog for grapples, or X for strikes. Working the limbs of your opponents, and seeing their knee give out under their weight while trying to perform a move, or favoring their arm, it's really nice to see that stuff. This game is probably the most cerebral wrestling game on the market right now. Oh, you could use psychology since the N64 days. Working body parts, even now in the 2K games, helps to win matches quicker. but the PRESENTATION of it. The way working the knee affects a match, it's never been done like this before, and it's a breath of fresh air. The problems with the gameplay come with glitches where grapples cause wrestlers to teleport and switch places to finish the move. But, I mean, that's really the biggest, consistent, problem I've seen. And that's not bad.


The sound of the game is typical wrestling sound, though I give immense credit on not using generic rock music or public domain music or something to cut cost. The music in this game is all original, all be it parody of real songs, but even if they're parodies they sound pretty great. My favorite is Harvee Dee's theme.


Considering this is their first outing, and their own original engine, they've really powerbombed it out of the park, and into a table. Is it a perfect game? No. Is it the fabled second coming of No Mercy, no. But it doesn't need to be. Once the little problems are patched, and once whatever planned DLC is implemented, it'll carve it's own niche in wrestling video game lore.It's not the greatest game, it needs small work in a lot of areas. I think once it's patched and everything's working solidly, it'll be one of the greatest wrestling games in the past 10 years.


Score: 3 1/2 Stars

Beatbuddy Review (PC)

beatbuddyYou probably haven’t heard of THREAKS before. It’s more than likely because they’ve never released a game before, so here’s their first game ever, Beatbuddy: Tale of the Guardians. Just because it’s the first game for the developer doesn’t mean there aren’t some industry veterans behind it, including Austin Wintory, composer of Journey, who has contributed songs for the game and Rhianna Pratchett, who is the writer for such games as Tomb Raider and Mirror’s Edge. So despite THREAKS being relatively new, there’s plenty of experience behind the team of Beatbuddy. Beatbuddy is a puzzle adventure game where your character, who just so happens to be called Beatbuddy, has been awakened from a deep slumber and then finds out his musically driven world is being the threatened with ultimate destruction. It’s up to you to puzzle solve your way through the game and find out why.

Beatbuddy is a rather simple game, your character Beatbuddy is a floating ghost-like character who moves around with 8 directions of freedom. It plays like you were a spaceship in a 2D world. You go through from section to section where you run into different obstacles that stop you from advancing. For example, one the most common puzzles elements are bounce pads which send you flying backwards and you have to orientate various mirrors to send you in a different directions from where you bounced from. The point is to send yourself flinging at top speed at clearly marked destructible walls which you hit and destroy after successfully orientating the mirrors correctly. You then move on and advance to the next section of level from there. Honestly it’s usually rather obvious what direction you’re supposed to line the mirrors up and so you spend an excruciating amount of time trying to line up mirrors correctly rather than solving actual puzzles.beatbuddy

Another central mechanic found within the game is that it’s supposed to be all about the beat where the music drives the environments and the environments drive the music. Honestly on this score, the game doesn’t quite live up to it’s hype. While there are definitely reasons that the music matters, like when the music is affected by touching items in the environment and even some enemies that have to be killed to the rhythm of the music playing, however there is no compelling use of the beat mechanics for the most part. It’s really just a gimmick that never gets used to its full potential.

Rhianna Pratchett is flaunted as the star writer, however the story really isn’t all that central to the game. You do have a reason to go from point A to point B but you’ll never get all that involved in the plot. The game’s story is mostly told through boring text bubbles that can be kinda funny sometimes but usually aren’t.

I’ve spent plenty of time bagging on the game but I feel I should highlight its positives as it’s not a bad game. While not innovative, you do have on your hands a solid puzzle adventure game that is not very difficult but is still fun. The primary mechanics are compelling enough to make you want to play through the game despite the few annoyances I mentioned earlier. There are constant checkpoints making it easy to jump in and out of the game between sessions. The game has plenty of options for controls (Keyboard, Gamepad, Mouse) and all of them play well. The musical score for the game is great. There was much attention paid to making a great electronic orchestral for the levels so I’d definitely recommend picking up the soundtrack once it’s available. I did notice the volume options can’t mute the game and only goes from somewhat low to high volumes, so keep that in mind. The “hand-painted” characters and environments look awesome and much kudos goes to the art director for the unique and beautiful game that they crafted.

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Beatbuddy is a fun little game that warrants it’s budget price. You’ll get a solid 5 hours out of playing it which could be seen as short to some but it was enough for me. You won’t have your socks blown off playing the game but it’s got a unique vibe and all in all it's worth a look.

  • Published in PC

Forza Motorsport 5 Review (Xbox One)

Forza-Motorsport-5 review

 

A long time ago in Art Class, I had a specialty. Whenever we were given a project, I’d draw, paint or sketch pretty much the same thing every time. It was an image of a house with a tree in front with a mountain in the background with the sun peeking through. I got pretty good at creating this vista. Each iteration was slightly different from the one before. Sometimes there would be smoke pouring out of the chimney. Or the sun would illuminate the tree and cast a shadow in a different direction. When we studied Monet I even did a pointillist version of the image using nothing but dots. That house/tree/mountain was my touchstone.

Turn 10 Studios have become masters at delivering a solid racing experience. For years they've sculpted Forza Motorsport into showcase of beautiful cars and race courses. Forza 5 looks great and drives even better. Turn 10 Studios have become masters a delivering a solid racing experienceTwo hundred gorgeously rendered vehicles and a driving model that has been top notch for years is all that's needed to make it one of the best games on the Xbox One. Each car has a stunning interior view and even the guys from the famous TV show Top Gear lend their voices and test track to the game.

Near the end of the school year, the Art Class final exam included the assignment of creating whatever image you wanted using the techniques we had learned. So of course I dug into the well worn well of the house/tree/mountain. While I was going through the motions of creating the house, I glanced around the room to see what my fellow students were up to. The guy to the left of me was trying to sketch a barely decipherable animal, either a cat or a horse. The girl in front of me was working with seemingly random blotches of paint that might as well have been finger painting. I was clearly at the head of the class, secure in the knowledge that I was leaving with an easy ‘A’.

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For the first time, multiplayer in Forza allows 16 players to race against each other at once. When racing against the AI, you are actually going up against ‘drivatars’ that have been built using traits from other online drivers and people from your friends list. Turn 10 has even added a multitude of gaming modes for drivers to compete against one another. Standard events like drag racing, and circuit racing are joined with less common affairs like cat and mouse and tag virus. The Rivals section has returned from Forza 4 that matches you up against a single person’s drivatar to compete against.

The next week, I returned to the classroom to receive my test score. I was stunned when I opened my portfolio. ‘C’. A big post-it note with a ‘C’ was stuck on my painting. It had to be a mistake. I quickly surveyed everyone around me. ‘Do you see anything wrong with mine? Be honest, is this painting just average?’ Each person agreed with me that I had been grossly wronged and that my house/tree/mountain was definitely worthy of an ‘A’. As soon as the class was over, I went to the teacher’s desk to rectify the situation.

The balding old man with black rimmed glasses was buried deep in his gradebook. I stood there for a while waiting to be acknowledged. He glanced up slightly and I saw that as my cue.
‘Yeah, Professor, I got a ‘C’ on this, and come on, it’s not a ‘C’ painting.’
Before he could respond I started pleading my case.
‘I mean, compared to that cat thing that Ronald did, it’s way better. And the splotches of paint that Marie turned in, she even said she had no idea what she was doing and she got a B. You can’t tell me that this is a C. I have shadows, l added smoke. Check it out.’ I laid the painting in front of him, cementing my point.

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He stared at me for a beat before fixing his gaze on the painting I had placed on his desk and speaking.
‘I’m not grading you compared to the work of others. I’m grading you compared to you. You’ve been doing that scene all year long. And yes, you use light well, and yes the composition is fairly balanced. And so was the one before that, and the one before that. It’s a good scene. I was hoping that you would challenge yourself this time. Take a hard look at the work you've done and ask yourself, is it the best you can do?’

That question hit like a brick. He had called me out on something that I didn’t even realize I was doing. I was coasting. I knew what was needed to be considered a success and thats what I did. Nothing more, nothing less. I figured the work was good enough to get by and so why do more? Thats why I got the grade I did. Not because the work wasn’t good. Not even because it wasn’t good enough. But was it the best I could do? No, it wasnt.


forza5 race

Forza 5 knows what it needs to do to get a passing grade, and thats exactly what it does. And that's all it does. The 200 cars included look and sound fantastic. Even though for a series that has spanned 3 consoles, the low car count raises some eyebrows. As dozens of DLC cars were quickly released over the past few months, you realize that the low car count was a thinly disguised money grab, nearly doubling the price of the game if you want to get close to the levels of previous iterations. It’s even more telling when you hear the detailed descriptions that once accompanied each car have more often than not, devolved into a lukewarm overview of the car manufacturer instead of a history of each individual vehicle.

The race courses included with Forza 5 look incredible, although it seems odd that it’s always the same time of day and weather is non-existent. Especially considering some of the tracks included are well known for their night races. Lemans, Sebring, and Yas Marina all go hand in hand with night racing. With this being the fifth version of Forza running on one of the most powerful consoles available, the omission of night racing or any type of weather is very noticeable.


With so much emphasis placed on the multiplayer side of Forza 5, it falls short on closer inspection. You aren’t allowed to create a public room or even search for a specific race type. If you want to find a race with a certain number of laps on a specific track to join, it simply isnt possible. Instead you’re restricted to pre-created hoppers or private matches which you have to fill yourself. And since the ‘Car Club’ feature from previous Forzas isn’t included, finding and staying in touch with a group of like minded racers is difficult at best. 

Somewhere along the way the franchise has started coastingForza has been doing what it does extremely well for years. But somewhere along the way the franchise has started coasting and has done just enough to get by. It’s good. It’s even good enough to be the best racing game on the XBox One. But it's lost many of the features that made it exceptional. The game has relied on higher resolutions and framerates instead of expanding on the features and capabilities that would make it great. It's almost like the game got to a certain point and just stopped evolving.  Forza Motorsport 5 needs to take a step back, look at what it’s done and ask the question, “Is this the best you can do?”

forza5 boxScore 7/10

 

Street Fighter 4 Review [X360]

 

There is something extremely satisfying about a well thrown punch. The feeling of contact between your fist and bone. The sharp snap it makes. The tinge of pain in your forearm from the shock of the impact. I'm not talking about justhitting something. I'm describing what happens when you use everything your body has, directed through your fist, in an attempt to destroy whats on the other end. Its addictive and dangerous. Most people never really experience that. But those that do, know exactly what I mean.

When I was younger, I was very familiar with that feeling. Growing up in the projects meant that when someone pushes you, you push back harder. It's a simple rule that worked amazingly well.I didn't get pushed that often, andwhen I did,I made sure it didn't happen again.

That rule changed when we moved to the suburbs, but no one told me. Being one of the few Black kids at Linkhorn Park Elementary School, I got pushed a lot. And I pushed back. Punched back. And when I'd get pulled into the principles office, I couldn't care less what she had to say. She obviously didn't know how things worked. Her rules weren't my rules. Even when Chris, the only other Black kid in the school tried to explain things to me, I ignored him. "Derrick,the kids here are wimps, you can't hit them like that anymore'. He was right, the kids were wimps. A shove on the basketball court was a reason for tears. A kick at the playground was a reason to run to the teacher. Why were they crying? They have 2 parents, nice houses, and didn't have to use a free lunch card in the cafeteria. Wimps.

I finally got the message when my mother was called in for a 'conference'. I waited outside while the teachers recited my crimes to her. When my mom came out of that room, I expected a smack to the head and to be shoved into the back seat of the car. That what was supposed to happen. But it didn't. Instead she refused to look at me and headed for the bathroom.Tears streaming down her face. I had never seen her like that. When the teacher appeared, she looked at my blank expression and accused me, 'You did that to her.You're the most apathetic child I've ever seen, do you know what apathetic means?' I nodded my head. I knew exactly what it meant. It meant 'boy who makes his mother cry'. That's when I decided to change. What beatings, and restrictions, and suspensions failed to do over the years, was accomplished in a split second by the image of a strong woman reduced to tears.

But deciding not to hit other kids doesn't mean the feelings go away. And they needed an outlet. When I saw a new game at the supermarket called Street Fighter 2, I asked my mom for a quarter and played it while she shopped. When another kid joined in, it was a revelation. I could punch him, kick him, throw him to the ground. No punishments. No crying. This was a good thing. Very good.

Over the years other ways to channel those feelings have come and gone, and Street Fighter faded into the background. Each new version seemed to get farther away from allowing me to throw a punch and enjoy it connecting. Instead of an outlet, it turned into a way to watch a combo meter count upward. I just wanted to hit someone.

Street Fighter 4 brings that back. The visceral thud of a punch is conveyed in beautiful images that make the violence seem like a work of art. The controls have been simplified so that I don't have to search online for a 13 page move list to enjoy it. And most importantly, when a punch connects on screen, I feel it. And it feels good.

Score 9/10

 

Titanfall Review (Xbox One)

 Leave it to Beaver was one of my favorite shows when I was a kid. Everyday I’d sit and stare at black and white reruns of a show that had been off the air for decades yet still managed to spark a laugh and speak the truth. My favorite character wasn’t it’s namesake, Beaver Cleaver, and it wasn't his stoic older brother, Wally. My favorite was Eddie Haskell, Wally’s near delinquent friend. Eddie Haskell was the catalyst for a lot of the problems that the Cleaver boys would get into. Cheat on a test? It was Eddie’s idea. Cut school and go fishing? Eddie was behind it.My favorite was Eddie Haskell, Wally’s near delinquent friend Go to a party instead of the library to study? All Eddie. It wasn’t his bad deeds that drew me to the miscreant Eddie Haskell. I was fascinated by the fact that he never got into trouble. Whenever the boys would do something wrong, they would, of course, inevitably get caught. Back then, parents were always right and were never outsmarted by kids. But still, Eddie would slide away unscathed and slither back into the house the next week, none the worse for wear.

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The mom on the show, June Cleaver, must have known this kid was doing his best to put her sons on a short path to jail or a long life filled with bad choices. The patriarch, Ward Cleaver, had to have known that every word from Eddie Haskell’s mouth was at best a bold face lie. But still they welcomed him into their home. Why? The answer was simple. Because Eddie Haskell was charming.

He never missed a chance to remind Mrs Cleaver how lovely she looked in her pearls. He would be polite to a fault, something that must have been sorely lacking in her day to day interactions with the male-centric world of the 50’s. He made her feel beautiful, respected, and appreciated. He would make a point to congratulate Mr. Cleaver on raising 2 fine boys. And at a time where there was no higher goal than to provide for and build a strong family, Ward Cleaver had to have enjoyed the recognition given to him. Both Ward and June Cleaver were more than willing to overlook the shortcomings of Eddie Haskell, as long as he stroked their egos and made them feel good about themselves.

Titanfall is the Eddie Haskell of next gen games.

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Titanfall is pretty straightforward, taking the well worn genre of futuristic first person shooters and adding giant robots to the mix. You can fight on the ground with assault rifles and grenades, using parkour skills and jetpacks to run up walls and perch on buildings or you can call in a Titan mech to stomp grunts, let missiles fly, and even self destruct in an atomic mushroom cloud. Titanfall is mostly a multiplayer affair with the campaign seemingly only there to tick off a box on the back of the case. The core of the title is made up of 6 vs 6 online game modes. While 12 players may seem like it would make for a sparse battle in a world where 64 player skirmishes aren’t out of the norm, don’t worry because space on the field is taken up by AI grunts who do their best to get shot instead of you.

Titanfall looks great on the Xbox One. The levels are filled with detail and the Titans inspire the appropriate amount of awe when they drop into the fray. While the levels look fantastic, they quickly reveal how lifeless and static they are.Titanfall looks great on the Xbox One. You would expect that a huge battle taking place within a few city blocks would leave some type of impression on the environment, especially with giant robots lobbing missiles at one another. But after a battle, you would be hard pressed to point out any evidence that a war was going on, much less one involving 30 foot tall robots. Trees survive megaton explosions without losing a leaf. Structures that look like they’re barely holding themselves upright manage to survive multiple rocket impacts without the paint getting chipped. For all the power you wield on the field, you have surprising little effect on it. The titans are epic and the transition from scurrying along the ground to being placed inside of one is seamless. It would be nice to have more variety in the types of mech you can pilot. Aside from the 3 main body types, your customization options consist mostly of switching out the types of guns they carry. If you had dreams of dropping into battle with a customized battlebot, then you will need to scale back your expectations.

The 6 vs 6 player limit is frustratingly low, especially when you realize that MechAssault on the original Xbox was 4 v 4, and that was one of the first Xbox Live games ever. All of the advancements over the past decade have led to just 2 more players per team.Titanfall is the best last gen game you can play on a next gen system The upside to the low number of players is that you’re almost always in the middle of the action, mainly because the levels themselves are so small. Each map is roughly the size of just a few city blocks. These are limitations that you would have expected to be a thing of the past on a next gen system as powerful as the Xbox One. Instead of plowing through an entire metropolitan area, you will be battling over a small patch of land that quickly becomes repetitive. These limitations are ones that I expected to be a thing of the past. And being so early in the life of the Xbox One, maybe it’s understandable that Titanfall feels like it would be just as much at home on the Xbox 360. The more time you spend with it, the more obvious it is that Titanfall is the best last gen game you can play on a next gen system.

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Titanfall may have it’s shortcomings, but still, it’s fun. Charming. When you’re running past the near brain dead AI, you don’t care because they yell encouraging phrases to inflate your ego as you dash by.Titanfall may have it’s shortcomings, but still, it’s fun. You won’t get frustrated after being blown up repeatedly by another player because you can always go mow down a few squads of enemy AI, replenishing any feeling of power you may have lost. Eject from your doomed Titan and look in awe at the magnificent landscape below you. The leveling system is so forgiving and generous that your rank will soar up faster than you can say ‘Prestige’. Despite everything else, the bottom line is that playing Titanfall makes you feel good. Good enough to make you overlook it’s faults. Eddie Haskell would have been proud.

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Score 8/10

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