ASUS sent AllGames a Republic of Gamers G Series GL551J Gaming Laptop to review. And the first step in all reviews is of course, opening the box. Take a look.
- Published in PC
ASUS sent AllGames a Republic of Gamers G Series GL551J Gaming Laptop to review. And the first step in all reviews is of course, opening the box. Take a look.
When I was younger, I put a pair of house speakers in my used 1979 Mustang . I did that because I was a kid and kids like loud cars. Plus I liked telling people that I have house speakers in the back of my car. A couple of years later, I spent way more money than I should have installing a full blown audio system in my Audi 5000. I did this even though there was a flashing red light on the dash telling me the brakes didn’t actually work. I did that because I was a kid and kid like loud cars. The other night I was riding down the road in my Crown Vic listening to some radio station that claimed to be ‘Hot’ through the stock speakers and I kinda missed having a trunk full of bass. But not really. Because I’m an adult.
It may sound like I’m lamenting the path to adulthood, but I’m actually not. I can fondly look back on the days when it was important to let everyone I drove by know what type of music I was enjoying. These days though, it’s more important to me that I enjoy the music. Because I’m an adult.
A few weeks ago, a package was left at my door containing a shiny new ASUS gaming laptop. A GL551J to be exact. Since it was a ‘gaming laptop’ I had certain expectations when I opened the box. I expected a firebreathing, neon clad, vent covered, wildly shaped beast of a machine ready to rip the throat out of anything I could throw at it. The GL551J did not live up to those expectations. And that made me happy. It seemed to have been built for a group of people that are often overlooked when it comes to high end gaming hardware. Adults. I have no aspirations to lug around a 10 pound machine whose first purpose is to let everyone around me how extreme it is. There’s a demographic of people who like to set up shop in Starbucks, flip open their PC and make sure that anyone within earshot knows that they’re in the middle of an intense firefight on ARMA at 60 frames per second. But I’m an adult, so I don’t go to Starbucks to pimp by computer to strangers. Hell, I don’t even go to Starbucks. I have a Keurig which makes a great cup of coffee in under a minute right in the comfort of my own home. The GL551j is a powerful gaming laptop that does it’s best not to call attention to the fact that it’s a powerful gaming laptop.
The Asus doesn’t fly completely under the radar though. It’s still sports a Republic of Gamers logo on the case along with a keyboard backlit in red. But it’s a far cry from the boy racer looks of offerings from other vendors. You could easily get away with sitting down in the office breakroom and finishing off a few levels of Defense Grid 2 while your co-workers think you’re catching up on some late reports. At 6 pounds the laptop isn’t svelte, but it’s still a good traveling companion. Sitting on a plane while exploring the realms of Dragon Age won’t leave you with a scorched crotch, since the single side exhaust vent does a good job of shooting the heat over to the traveller in seat 15B. As far as power goes, it’s a gaming laptop. So you can play games on it. But if you’re into running benchmarks trying to reach 120fps at 4k resolution, then this isn’t the machine for you. The Intel i7 cpu and Nvidia 860m GPU do a great job at getting you up and running at 1080p all day long (or about 3-4 hours on battery), but you won’t be bragging to all of your friends about your incredible 3DMark numbers at 4k resolution. But adults know that 1: 3DMark isnt a game, and 2: You didn’t just drop $1,099 on a laptop to look at statistics.
At a little over a thousand dollars, the GL551J won’t force you to sit down with your kids and explain to them why they won’t be going to Disney World this year. Asus has managed to pack a lot of performance into the unassuming satin black finish for a price that won’t force you to put in overtime at the office. It’s difficult to find which, if any, corners were cut. Although the 15.6 inch display has a slightly washed out look to it that kept me angling it away from the light. My time with the Asus did have one hiccup. I don’t know if was because I had a well used review unit or because of some other reason, but every so often the screen would go black when I set it down. And it would only come back when I pressed the latch on the battery case. At first it was an annoyance, and then it became frustrating. I’m an adult. I don’t have time to be fiddling with battery latches.
The Asus made me wonder how the kid version of me would have liked it. The version of myself leaning against a mechanically dangerous Audi with a sound system that cost more than the car. Wondering if I should spend my latest paycheck adding another amp or chrome exhaust tips (spoiler, I did both). That kid would not have looked twice at the GL551j. He’d be asking ‘where’s the neon?‘ and ‘why aren’t there more vents all over it?’ The kid me would not have liked it. The adult me however, likes it a lot.
It’s been a long time since I’ve gone through a neighborhood revving my engine while blasting the radio in a car with no brakes. Now my car has more power under the hood, and can stop on a dime and my ears don’t ring when I turn the radio off. Being an adult doesn’t mean you give up all the fun stuff kids have, it just means you don’t spend time and money trying to impress everyone else around you. I don’t have time for that. Because I’m an adult, and I have games to play. And the Asus GL551j is just the machine to play them on.
Take a look at our unboxing of the GL551J
The Digital Media Wire L.A. Games Conference was held May 6, 2015 from 9:00 a.m. - 5:45 p.m. at the W Hotel in Los Angeles, California. Due to renovations at the Roosevelt Hotel where the conference was originally scheduled to take place, a change was made to move the conference to the W Hotel a few weeks prior.
The DMW L.A. Games Conference is an annual conference where the movers and shakers in just about all facets of the video game industry get together, network, collaborate and share ideas not only on the current state of video games, but also on where video games are headed in the future. Some of the best minds in the video game industry got together to debate such topics as Virtual Reality (VR), Alternative Reality (AR), mobile versus console and PC gaming, advertising in video game and a wide range of other video game topics of interest not only to gamers, but to those who can direct the fate and destiny of the video game industry as a whole.
Location, Location, Location
It was fitting for the DMW L.A. Games Conference to be held in Los Angeles, California. During the conference, it was pointed out that L.A. is fast becoming just as noteworthy and the place to watch for videogames success as other citiesL.A. is fast becoming just as noteworthy and the place to watch for videogames success as other cities, such as the Silicon Valley, San Francisco, New York and other mecca gaming locations. Additionally, L.A. is becoming the hot bed to attract great startups and communities who are all about creating video games.
With the E3 video game convention happening in just a few months -- the DMW L.A. Games Conference seemed to be just the right introduction to this event. During the conference, E3 was mentioned and a question was asked by one of the audience members if E3 is still relevant. The response given was that E3 is not as relevant as it was years ago when video gaming was relatively new -- however E3 is still relevant, but to a lesser degree. That being said, everyone was encouraged to attend E3 which is currently scheduled for June 16-18, 2015 at the L.A. Convention Center in Los Angeles, CA. Just to clarify -- E3 and the DMW Games Conference are separate events and are not partners, etc.
Keynote and Roundtable Conversations
Given the varied calibre of video gaming industry experts, speakers, debaters and presenters -- it appeared that no stones were left unturned when it came to sharing views, opinions, challenges, and predictions for the video game industry. The spokespersons were directly involved in the video game industry whether their involvement was deeply intertwined in the making of video games such as developers and designers, or if the involvement was from an investment point of view, such as the investors and venture capitalists who had a fireside chat as well. There was also a discussion from TenCent on China’s request for more western games to be available for play in China.
Future or Fad? The Great Debate on Virtual and Augmented Reality Gaming & Entertainment
At the DMW L.A. Games Conference, anybody who was anybody in the video game industry seemed to be there to not only share video gaming information but to debate as well. Like the saying goes -- there are two sides to every story -- which includes the video game industry. It was refreshing to see the panelists not only agree to disagree on some topics, but were also willing to listen to the other side’s argument as well.
An example of this was a discussion on whether Virtual Reality (VR) and Alternative Reality (AR) should be relegated for at home play only -- or if these new forms of video game play requiring headsets and other apparatus, other than today’s gaming consoles, PCs and mobile devices -- could enter into mainstream living. In other words, what would be the ideal setting of VR and AR relative to video game players? Interesting enough, both sides had compelling reasons why VR and AR should be an at home gaming activity only, as well as why VR and AR would be ideal to enhance the social aspect of gaming. This could be done by affording gamers the opportunity to interact with others outside of the home environment. The debate was not settled at the conference; however, this topic did open up dialogue as well as thoughts relative to the future of VR and AR and the impact these types of games will have on society.
It was noted that video gamers were expected to lead the advent of 3D television -- which sort of fizzled due to human dynamics as well as poorly executed content. The question was whether VR and AR would face a similar demise, or would it become a part of gaming just as much, if not more so than today’s gaming consoles, mobile devices and PCs.
Comments from Ted Schilowitz, VR Creator & Futurist, 20th Century Fox/CinemaVangelist indicated that to the contrary, VR is destined to become an integral part of video gamingVR is destined to become an integral part of video gaming. In fact, in his position at 20th Century Fox, he spends up to 8 hours a day in the virtual world instead of the real world. He added that hardware is the easiest part of VR, and creating the best possible content for VR is the hardest part. Concern expressed was people will try to give away VR games to stimulate the market -- which should not be done.
Some of the challenges discussed relative to VR and AR included safety issues as well as the difficulty of making VR and AR video games.
Money and Video Games
For these discussion topics, the politically correct term of “monetization” was used instead of “making money” in the video game industry with topics such as The Evolution of Free-to-Play, Mobile Advertising: Maximizing The Value of Advertising, Mobile Games: Strategies for Cost-Efficient User Acquisition, Investor’s Roundtable as well as other monetization discussions.
The company’s bottom line is the basis for the video game industry which cannot be ignored. The company's bottom line is the basis for the video game industrySure, the conference was enlightening and it was sometimes eye-opening to find out the inner workings of the video game industry; however, at the end of the day the question must be answered -- How will money be made from video games?
Towards this end, a fireside chat was held on how to use ads in video games as a way of monetization. Discussions included how to embed ads in video games without taking away what could be an enjoyable video game experience for the video gamer.
Specific methods discussed to introduce ads seamlessly to the video game player was to bring the ads in slowly, depending on how long the game was played. For instance, if someone just started playing the game, the strategy used was to wait until the game is played for longer periods of time before ads are slowly introduced.
Another idea presented was to have the ads become part of the video game play itself. For instance, the gamer would have to click on the ad to either get more points or to advance to another level in the game, etc. In this way, ads would be used as incentives or rewards for reading or even clicking on the ads.
A statistic shared was that only approximately two to five percent of video gamers actually click on ads with the remaining players, either skipping or ignoring the ads. Even though the numbers of gamers clicking on ads are relatively low -- this does not dissuade video game companies from concentrating their advertising efforts on those two to five percenters which could possibly grow in numbers.
There was an agreement among the panelists during this discussion that if video games were of high quality, gamers would be more tolerant to ads appearing in the game. The message seems to be for developers and others to provide more high quality, innovative video games to equate to higher revenues from ads. An example provided of a video game that uses ads appropriately was Compass Point West, a free online game.
An additional method of monetization of video games discussed was to use subscriptions which would almost guarantee gamers will return to play the game, while at the same time being exposed to ads which could result in more revenue.
As a footnote: The monetization fireside chats were well attended. During one of these chats, a group of ad executives sat on one side of the couch and the developers sat on the opposite side -- which made for a productive exchange of information and ideas relative to the monetization of videogaming.
Hollywood & Games: Opportunities & Strategies
Since the conference was held in L.A., the topic of Hollywood celebrities was a given. Several experts shared thoughts about Hollywood celebrities and video games. It was mentioned that more celebrities are being urged to become part of the twitter universe, especially if they have aspirations of having their own video game. With the monetary success of Kim Kardashian’s game, Kim Kardashian:Hollywood, it is not surprising that some celebrities are looking to capitalize by having their own game. The benefit mentioned during this discussion was that unlike movies, with video games, celebrities have a more intimate relationship with the game.
Distribution Track - Myst to MP3S: Music in Games: The Next Generation
How would video games fare without music? Probably not as well as video games do with music. During this fireside chat with the experts which included Brandon Young from Blizzard, Siegfried Paquet of FreshPlanet, Les Borsai of SongLily and others, discussion ensued on the sometimes daunting task of making sure all the licenses are in place before music, songs, arrangements, etc. are added to various video games.
One may think the only person’s license that is imperative to get approval for is the songwriter. However, this is sometimes not true. In fact, narrowing down who the licenses should be obtained from as well as locating the applicable people to discuss terms, etc. for the licensing -- appear to be a job in and of itself. Brandon Young indicated the timeframe for licensing for some video games can take up to four months. On the other hand, it was noted by a panelist that the time frame for getting approval for licensing music for video games in China is much shorter. Sometimes approval is granted in as little as 24 hours since there are no layers to muddle through to get licensing approval. The flip side of the short time frame in China according to one of the speakers was the high cost of licensing there when compared to the U.S.
Attendance at the DMW L.A. Games Conference is highly recommended. Not only was there a multitude of compelling discussions on video games as well as the video game industry, but the venue provided an opportunity to network and collaborate with others. Attendance at the DMW L.A. Games Conference is highly recommended. The cost is sky-high to attend, but when one weighs the positive benefits of getting instant answers to questions one may have about the video game industry, as well as to learn more about the video games from the developers’, strategist, and even investors’ points of view, the money can be considered money very well spent. To find out what is happening, not only on the outer edges, but down to the core of video gaming, this well represented, and well attended DMW L.A. Video Game Conference was by far the place to be.